posted
If it's of any interest, I interviewed the head visual effects supervisor on the film, John Berton, plus the head guys from the Aussie houses doing post production on this film.
He's a really lovely guy, great to talk to and everyone was just incredibly passionate about it, in a way I've not seen in half a decade of professional post-production journalism. The level of co-operation between all the studios was nothing short of stunning.
Can't say more, unfortunately as I'm under NDAs about the content.
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