. Though i think I understand what you're getting at. I think there's a fine line between an author just bitching about their upbringing, and an author who has just seen past the curtain and seen what goes on backstage. Maybe it's just a matter of some people being able to disguise their whining better.
Not that that's uncommon...a lot of Silverberg's work comes across the same way, but, somehow, redeems itself engages my attention.
Personally, I get enough depression and take on everyday life in my own life. When I pick up a book to read, I want to be wisked away to faraway lands and grand adventures. Or at least something with wit and humor. Probably the reason I'm so attracted to fantasy and science fiction with a dash of action and adventure on the side
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But I have read some books that are really depressing, but more so they are just rambling complainers. I have got rid of many a book like that.
One thing to have a depressed or complaining character, but I always hope the story comes out with the character triumphing over the depression.
They are not my type of stories even though if there really is a message I can handle it, and have even enjoyed a couple but as she said there is a market for that type of story. So if that is what you like, or just want to do one now and then go ahead. There seems to be enough people here who read them to allow you to find critiquers, if that as a worry.
I may even do a couple, just to be different and to stretch myself. But there seems to be different types, some with messages and some not, so I may end up writing lesser depressing stories... if you get what I mean.
A while back I critiqued a story on critters that didn't have any message I could tell, but the MC ended up being killed in the end. She went from one abusive situation, to a worse situation... thinking she was doing better and ended up dead while helping an evil come back into the world. For my tastes just plain depressing and morbid but there are people who like those types of stories and many editors would not care as long as it was well written. In fact I would think some would go for a story that haunts the reader because of how well done it was.
When I was in elementary and high school, you wouldn't believe the books we were forced to read and analyze. I'll give you a single example so as not so overload you.
It was a novella about a farmer (or a peasant would be better, I think) with ten children, living on a farm with very poor soil. The peasant is too poor to move or to buy furtilizers for the soil so all he can do is work as hard as he can to produce the meager crops to feed his family. I don't remember what went on in between (managed to delete it from my mind) but in the end the peasant gets buried in an mud avalanche. His children manage to pull him out and he's alive but he got a hernia in the process (still don't know how). So instead of dying fast beneath all that mud he takes days to die from the hernie (no doctors or no money for them). All the while his guts are sticking out of his stomach, causing the whole house to stink with rot. When he finally dies, the neighbours come (not right away, it takes weeks for them to realize they haven't seen the peasant for some time) and see his rotten corpse, while the children are still living in that house. So what do the good neighbours do? They send the children to orphanage (not even the same one, I think) and claim the land for their own.
Now tell me what can you learn from such a story because I'm dying to know.
Speaking of depressing things read in school, for school...I had to read "The Catcher in the Rye," as, I'm sure, a lot of you had to as well. I remember little detail, but I was struck by what a jerk the lead character was. Maybe this was one that would be better appreciated by adults, and maybe I could handle it now...but I'm not really inclined to pick it up again.
Another one I read was a short story about some guy going to a school his family had been going to for years, where the guy got thrown out for cheating on a test, which, near as I could tell, he didn't do. Couldn't make heads or tails of the story.
(Not everything I read for school depressed me. Some stayed with me, so to speak. There's this one, where this man comes to a small town and organizes a giant band with the children as memebers, selling instruments and uniforms and sheet music...only he's a con man and it's all a fraud...yes, I know it's the plot of "The Music Man," but which came first, the movie or the story?...besides, the story had a different ending, the con man getting clean away with it. I've been trying to track it down for a couple years now, without luck.)
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Now tell me what can you learn from such a story because I'm dying to know.
Life's a bitch, and then you die.....horribly? 
[This message has been edited by pdblake (edited August 11, 2011).]
And if you want to read more about Ender, why go read fan fiction? There are three more books about Ender (those were depressing to me, mind you).
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Life's a bitch, and then you die.....horribly?
Isn't that a great message to send to the ambitious youths? It's a miracle we managed to survive to the present.
[This message has been edited by MartinV (edited August 12, 2011).]
I left my protagonist in a terrible fix but with hope that everything will turn out fine. He understood why he was in the fix he ended up in and that all he had to do was endure and learn from the experience for him to return to a normal life... a life for the better.
Stories of this type suit me just fine... as long as I can clearly understand why the story ended on such a note. The reason I ended my story like I did was because I have notes to expand it into a novel. To tell what happens during the time my protagonist has to endure his predicament and then gets turned back to normal and is better for the experience.
The lesson of a redemption story is life isn't always fair and not all stories are tied up with a bright pretty ribbon at the end. But there is hope that all will be well.
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There are enough depressing endings in real life.
This is why I write stories that are not popular in my country. It is also the reason why I write in English and intend to publish it abroad. I'm basically a maverick for wanting to write non-depressing stories. Ain't life grand?
[This message has been edited by MartinV (edited August 12, 2011).]
Perhaps I should try it again---I read it at least twice---and, I've found that, with increased age and knowledge and (maybe) understanding, a lot of works that were opaque to me as a teenager are crystal-clear now.
