The fathe entered the speaking hall with the guardians at his side and all the councils of ariel attending. Only he and the istrins knew the reason for his coming speech, and no one liked it. Istrins dreaded its implications, and he hated its complexity. Besides, he could not help but dwell on other things.
This morning, he had remembered his name. He should not have. He had abandoned it a decade ago, and not done so lightly. Once joined, he could not leave the service of the world no matter what he knew. Forgetting only made it easier, as he preferred. Though an older man, he still made a young fathe, having been the requisite forty years of age at his time of choosing a man of healthy if unremarkable face and height and
Maybe reorganise it. Start with 'This morning , he had remembered his name and fit in the bit his entrance, speech and the reasons for it in the next para. It takes away the confusion about who or what the fathe and istrins are They can be described in greater detail later.
This morning, Rhad had remembered his former name. He should not have.
Sounds interesting...
I will preface my statement by saying that there are varying opinions on how well the first thirteen lines conventions apply to novel-length works. Many think you have a couple of pages (like 5, give or take 2) to grab the reader when it comes to a novel.
Comments in general:
I think you're using too many new terms too fast. And the piece is unneccessarily wordy. I'm sorry, but I just would not keep going. My guess is that it's 100,000 words in total but probably only 40,000 words pull their weight. Could be wrong.
[This message has been edited by hoptoad (edited September 26, 2006).]
In writing "Istrins dreaded its implications, and he hated its complexity" you have two problems. In the first sentence you wrote the istrins as if it were a group or title or somesuch, but then come back to it as if it were a singular pronoun or a name. This is confusing. Secondly, "it" refers back to the coming speech, so writing about the complexity (for something as yet unspoken) of it is again, confusing. Not sure if the "he" is fathe or istrins. This needs to be clearer.
Ditto on "fathe" -- I thought you missed an R.
Maybe swapping the paragraphs would make more sense...something to think about.
It's wordy in a way that masks the fact that some bits don't really make sense.
Because you asked for specific examples here are some. Consider these sort of things:
Only he and the istrins knew the reason for his coming speech, and no one liked it.
If only he and the istrins knew, then how could 'no-one' like it? and no one liked it. appears to be padding.
Istrins dreaded its implications, and he hated its complexity. Besides, he could not help but dwell on other things.
Besides what? These lines don't scan. Should this be a new paragraph? Are you trying to say 'but'? Why not tell us what he was doing not what he 'could not help but' do. For instance. 'but he was preoccupied....' or something else less pat and more efficient.
If you look closely, you'll see lots of those sort of things.
If you want other comments let me know, or ask your trusted reader.
[This message has been edited by hoptoad (edited September 26, 2006).]
A thought: It seems like you might not be starting in the right place. Very quickly in this opening, you have him flashing back, thinking about something that happened before, and not about the scene happening currently. Perhaps that is a clue that you should start with the scene where he remembers his name? It sounds like an event of some significance to the story.
What hoptoad said about the first 13 of a novel is true, and I sympathize. I too am working on a novel-length work, so I know how tough it is. Hang in there. It sounds like you have a good story planned - it just needs its Sunday best to be steamed and pressed. Hey, that rhymes.
Hope this helps.
[This message has been edited by sojoyful (edited September 27, 2006).]
Calculate that cost from the advice you are getting, and see if there isn't a way to work around the "price". The cost of too much confusion, too early on, is that you lose your reader. Eliminate the ambiguities wherever you can.
In my opinion, if the word "fathe" is a proper noun, having it capitalized would help a great deal to flag me that you meant the word as it's written.
[This message has been edited by Elan (edited September 27, 2006).]