I am totally new to writing. I've written more in the last 2 months than ever before.

I have been finding that I will get an idea that i think is legendary and start writing it up. But I have been finding lately that I hit a wall and start on something new.

I have about 7 different stories that I started and went hard on for a while, then I hit a wall and just stopped.

Is this normal? Do people often just go on and then hit a spot and say "this sucks" or "now what?" and put the work aside/ throw it out?. Should you struggle on and finish it anyway? I think it might be easier to throw them out if I finished them first (if that makes sense).

A suggested exercise would be to first pull out two things: your list of ideas that you haven't done anything with yet and your pile of unfinished stories.

Second, you take one of the unfinished manuscripts and pick one of your unused ideas. If you like, you can write one each on a set of 3x5 file cards, turn them over, and "pick a card, any card," or if they are listed on a single sheet of paper, close your eyes and wave your hand around and then put your finger down on the paper, then open your eyes and see which idea your finger is closest to.

Third, try to figure out how the idea you have "randomly" selected could be worked into your unfinished manuscript. You may have to do some major rewriting to work it in, but if you come up with something, it will be worth it, right?

You can also do the random selection with two to three ideas, and see how you can make them work together.

You can take a couple of unfinished manuscripts and put them next to each other and then take an idea and see if it will help you combine those two manuscripts (or the ideas those manuscripts are based on).

These are all suggestions that may or may not work, but if they can help you get excited again about something you haven't finished, they're certainly worth a try.

Short fiction isn't to everyone's taste. I happen to like it, and I find that the flash challenges make me write a story from beginning to end, complete with a small number of characters, a plot, and a hook. When I revise them, some will stay at around 1000 words and others will grow. Either way is okay, I know the story is there, somewhere.

(Also, in my newfound wisdom, when I look at the older unfinishable stuff I'm beginning to see ideas I can use some time in future, and why it wasn't finishable. I'm glad I kept it.)

There's one thing, Devnal--at least you're writing.

Pat

Obviously, different things work for different people but I personally have to get excited about one story and spend so much time imagining the characters that they become my friends. If I have too many stories mulling around in my head none of it is likely to live on the page very convincingly.

With regard to writing, the most overwhelming thing to me is the constant warnings from successful writers that writing requires much much more effort than 99.99999 percent of the population would ever bother to do. Some of the greats seem to find it quite irritating when they hear people say that they think they could write a novel if they just had the time. Point in case is an article by Kevin J. Anderson in the middle of the latest WOTF book.

I have to believe (since I didn’t start writing when I was five) that there are essentially two types of successful writers. Those who meet with success because their sheer determination and effort simply overwhelms the odds, and those who are just talented. The talented may not start writing until they’re 50 but once they do, their uneven, untaught natural rhythm is just magical.

For example, I believe a metronome would completely throw off a truly gifted pianist who places emotional pauses in the music like a well-acted scene from a play. There’s just no counting the space between love and loss and new life. It is what it is, if it’s real. I knew a teenager like that once. Never had a lesson in his life. Couldn’t read a lick of music and far too lazy to try. Hardly ever played. But he could play anything. He could just make stuff up on the spot, all you had to do was provide the emotion. Someone died or someone was born but the mother died during the birth. Anything you could dream up really. He could put tears in your eyes with 88 keys. It was his timing. A joyful, high-end, rapid twinkle, like fairies in the sun or a sustained note of sadness and loss like a distant church lamenting a passed son.

Well anyway, that’s what I believe. A rather self-serving belief, I admit. Since, if I am wrong we should all just give it up now. At least that’s what Kevin J. Anderson would have us believe.

Then one day I was really bored and did my very own marathon of The Lord of the Rings extended editions (yes all 9 glorious hours) and I realised the fun of the first two books wasn't present in the third, my characters had grown up too much, become too powerful, become too arrogant. The next week I wrote the other half of the novel, writing more each day than I have ever done before. Find why you loved writing the start and make sure you haven't lost it.