Before I had fully gained my feet, I saw him in front of me as a blurred outline. “Now!” he shouted in my head and he rushed me.
He slammed into me and knocked me off my feet again. I groped frantically in my mind for some reason for these events.
As I scrambled away from him on hands and knees, he spoke again, “you must win or die.” He reached out with one hand…paw?....and I felt a sharp pain as his claws laid my shoulder bare.
“Fight back! You must win!” echoed in my head again. I had never heard of anyone in my village or tribe ever having to fight their Spirit Guide before.
I clamped down on my lip as I felt the hot trickle of blood where he had punctured skin. I pulled myself to my feet with one hand against the earthen wall and shook my head.
try using a more active voice, eliminating had's and other passive participles.
quote:
Before I had fully gained my feet, I saw him in front of me as a blurred outline. “Now!” he shouted in my head and he rushed me
I struggled to my feet, looking up at the blurred outline of my spirit guide.
Now! His thought,his command, resonated in my mind as he charged me.
something like this. Action is critical in action sequences. Forward motion and concise wording will make it exciting.
[This message has been edited by Bent Tree (edited April 06, 2008).]
quote:
I had never heard of anyone in my village or tribe ever having to fight their Spirit Guide before.
For me this was the hook, if a bit wordy (maybe delete "in my village or tribe"), but not strong enough to make me read on because parts of the writing slow down the action.
I think that one can have long thoughtful sentences in descriptive segments, but when it's action, the sentences have to be short and to the point to maintain momentum.
So, "I groped frantically in my mind for some reason for these events." stops the action while he gropes in his mind (where else?). I'd suggest deleting this sentence, and perhaps substituting something like, "Why's he fighting me?"
Since the MC knows that the "he" he's fighting is his spirit guide, who presumably has a name, I'd suggest using the name instead of "he" from the start, and finding a way of telling us very early that he's MC's spirit guide--because until we know that, it's just another fight.
Hope this helps,
Pat
[This message has been edited by TaleSpinner (edited April 11, 2008).]
That said, you need to polish this on the sentence level before moving on. A bit of confusion is normal, given the situation, but that confusion shouldn't arise from awkward phrasing.
Hope that helped.
I'd like to say, Sara, that it was really cool that you "got it"...that I was trying to begin my story in the middle. The lines above are NOT the actual first lines of the scene, but that scene is, I think, the way in which I choose to start the story.
You've all given me some good ideas, so far. Thanks!
quote:
Before I had fully gained my feet, I saw him in front of me as a blurred outline.
quote:
I groped frantically in my mind for some reason for these events.
quote:
As I scrambled away from him on hands and knees, he spoke again, “you must win or die.”
Possibly along the lines of:
quote:
I scrambled away from him on hands and knees.
"You must win or die," he said.
quote:
He reached out with one hand . . . paw?
quote:
I had never heard of anyone in my village or tribe ever having to fight their Spirit Guide before.
I wouldn't read on at this point. Check your phrasing--make it flow naturally or we get stuck every few words.
Edit: I do agree, though, that beginning in media res was a perfect choice.
[This message has been edited by StephenMC (edited April 12, 2008).]
The words "spirit guide" would make me likely to continue reading, just because I want to know how "spirit guides" work in the story.
Also, I'm not as big of a passive-voice hater as most...yea, its usually best to avoid in an action scene. However, a lot of it depends on the style you are going for.