quote:
Chuck Hogan felt shivers run down his spine. The beautiful young girl’s touch was electric and the feeling of her breath on his neck set him on fire.
“Ruby,” he protested. “We can’t do this. Not right now.”
In the dim light from the ships console he could see her lips curl into a smile. She began unsnapping her blouse. “Sure we can. Dad is out cold in his bunk and no one else would come up here at this hour.”
Chuck fought the urge to give in. He knew her father, the Captain, often came up to the bridge when he couldn’t sleep.
“Come on, if Cap catches you up here with me he’ll drop me off at the next station --” An alarm sounded on the console.
PROXIMITY ALARM!
Anthony
[This message has been edited by AWSullivan (edited August 29, 2008).]
As to the story...I think it would be stronger if you allowed the scene to play out in story realtime instead of using --
Chuck fought the urge to give in. He knew her father, the Captain, often came up to the bridge when he couldn’t sleep.
-- to tell the reader what's going on.
This is just perhaps a conceit of mine, but I find stories stronger -- usually, there are exceptions but this is not one -- when you don't break an active scene and some building tension by retreating to telling in the middle.
You've established his POV, therefore do not write things like "he could see." I know he could see, otherwise it wouldn't be on the page.
How about "She unsnapped the top button of her blouse," or something like that. It's stronger than "she began"
quote:
“Ruby,” he protested.[,] “We [we] can’t do this. Not right now.”
quote:
He knew her father, the Captain [captain], often came up to the bridge when he couldn’t sleep.
[This message has been edited by philocinemas (edited August 31, 2008).]