There has to be some you just miss or don't see as an error, no?
My question is, how tollerant are ediors with minor spelling or grammar erros in manuscripts? Do they throw something out on the spot because of an error, or will they read the story through to the end anyway and then judge from there?
As to editors being tolerant of this, God I hope so!
[This message has been edited by Paul-girtbooks (edited October 08, 2005).]
One factor in my decision whether or not to put a story from slush through for further consideration was always "how much editing does it need?". Publishers and magazines have deadlines, and limited time available, especially magazines, which usually have either a very small staff or a staff of volunteers contributing in their spare time. The more editing a story needs, the more time it will consume, and therefore the better it needs to be as a story to justify putting in that time.
I would tolerate a certain level of typos and homophone errors in a story, as those can easily be fixed in editing. However, such errors didn't give me confidence in the author, and I would probably be less tolerant of the ms the more errors I ran across. Invoking the internal editor throws me out of a story with the inevitable result that I find it less involving than I would if the errors weren't there. Less involving equals more likely to be rejected.
Grammatical errors of the more serious variety--errors in sentence construction, inability to format dialogue correctly, etc--and the ms went back. It's not the editor's job to correct basics like those. Sorry.
Get the ms as perfect as you can. Don't rely on the spellcheck. It'll catch misspelt words but not homophone errors. But don't not send the ms out because you're afraid it isn't perfect. It won't be. Just get it as close to perfect as you can .
Give it over to other eyes to review. A writing group is excellent for this purpose.
As buffy says, every error lowers the editor's confidence in the piece.
I have never seen a manuscript that is wonderful and perfect but just has a bunch of grammatical errors. Never. Generally if there are numerous errors, the story is as weak as the grammar. So when I see bad grammar, I suspect that I am reading a manuscript from someone who has not really mastered the basics of their craft.
But it is also true that errors slip past even the most diligent. And grammatical errors are pretty easy to fix - if the story was otherwise perfect, it would not be a huge problem to fix the grammar. So I read on, anyway, and reject the story for its other weaknesses, not its grammar per se.
I will say this: It is an absolute joy to read a story, even a flawed one, when the manuscript is formatted properly (per guidelines) and free from errors. As Beth said, every error counts against you. So, do try and be as perfect as possible. It makes a good first impression. And first impressions do matter.
[This message has been edited by HSO (edited October 08, 2005).]