Will someone please provide some examples of properly formatted internal dialogue along with other text? Or point me to a reference?
Thanks.
Bill walked into the building, glancing around for a mirror of some sort. Did he look okay for the interview?
Or
Bill walked into the building, glancing around for a mirror of some sort. Do I look okay for the interview?
Thoughts, people?
quote:This is a way. I help you realize that it's all internal dialog with that early "he thought," but for the rest of the story, everything is either a perception or a thought by Frank.
Frank, fourteen years old, had been stringing electric fence with his grandfather all morning. It wasn't a bad job, he thought. Put up a stake, drive it in with a sledge hammer until it was about hip-high (which wasn't hard in plowed soil); nail a plastic doo-hickey to the top, and put the wire into the doo-hickey. Doo-hickey? Insulator? Something.
Italics are pretty superfluous most of the time but some people like 'em, I guess. I don't. They're hard to read and unnecessary.
If the POV is deep enough you don't need "he thought" at all.
You never EVER need "she thought to herself silently in her head" no matter what.
I find "Bill walked into the building, glancing around for a mirror of some sort. Do I look okay for the interview?" to be a jarring POV violation but I know OSC and Autumn endorse it.
Also be careful not to use too much of it, as with any element. My first drafts tend to be chock full of navel-gazing and while some of it is absolutely essential, too much of it is just dull. Don't let your characters sit around and think too much; get them off their butts and fighting the monkeys.
quote:
You never EVER need "she thought to herself silently in her head" no matter what.
Darn. I was going to use that. Only more along the lines of "She thought silently to herself in the vast and echoing confines of her head upon her shoulders."
[This message has been edited by Kickle (edited January 20, 2006).]
If you do use someone's internal thoughts, try for one character's thoughts per scene. Don't make the big mistake Frank Herbert did in "Dune."
Bob told her that she looked perfectly fine in the dress, even though she didn't. She looked awful, but the fact remained that they were late. If he waited for her to find the perfect outfit they would never get there. How did other men deal with situations like this? They probably had more patience than he did, but that was no surprise. He was a very impatient man.
Not the best example perhaps, as I just whipped it up right here, but it is an example of the way I like to do internal thoughts, most of the time.
quote:
I must be most careful, Marke thought. Else, my corpse will also make its way there, to the Flowe, and they will not find me before my body swells and rots, and my shade will surely languish in this hellhole forever.I must be most careful.
[This message has been edited by mikemunsil (edited January 20, 2006).]
Internal Dialogue... is that like ESP or what? But yeah, I guess it is pretty commonly called that.
Also, I do argue with various viewpoints within myself, but I've never seen that as different from interior monologue.
Seems like Xenocide had a fair bit of interior dialogue.
[This message has been edited by franc li (edited January 20, 2006).]
Here is an exercise you can try. I find it much easier to get inside a character's head if I write in first person. In first person, pretty much everything you write aside from dialog is internal monolog (not dialog). Try writing a scene in first person, with Mike Munsil as the POV character and narrator. The scene could be anything, say the dog went into the bedroom and peed on the carpet and it stinks. Keep it under 500 words. Then, take the same scene and make it into a 3rd person deep penetration scene. Make the character somebody else and make sure you deliver all the thoughts that showed up in the first person narrative.
That's largely how I handle my internal monolog. I visualize myself in the situation and the thoughts that come into my head are the thoughts that go into the character's head. Personally, I try to avoid direct reference to the character's self and to relative times like today, this morning, tomorrow, mainly because to me the first violates POV and the second voilates past tense.