http://www.massmedia.com/~mikeb/hughart/bobdraft/chapter1.html
This draft is legitimate and posted with the author's permission. See here (10 Sept 2003 and 19 December 1999):
http://www.massmedia.com/~mikeb/hughart/news.htm
Though this story is slightly comical and involves mystery, my two exceptions for using first person, it is a Chinese fairy tale to the core. It is a fantastic read and a great example of how a first person POV story should, or could, be written.
Now, if only I could find a copy of Master Li and Number Ten Ox to see what the final product is like.
Jammrock
PS - Sadly, Mr. Hughart stopped writing after three Master Li books, because he got fed up with his publishers and the industry in general
I haven't managed to track down the sequels (they seem out of print and real hard to find). But I did find a used copy of "Bridge of Birds" in an English Bookshop, and it has place of pride on my shelves.
I know when I first started writing, I tended to write in first person, but later realized that for most stories, it was better to show more points of view. There's nothing wrong with a first person story, as many of these examples show, but I would bet that there is a higher percentage of bad ones that never get published or read by many people because they are in first person, especially from beginning authors.
I think in general, most stories are better with more points of view, but some very good first person stories have been written, and will be in the future. We as authors just need to write our stories the way we see them, and not let ourselves be influenced by outside opinion. If we think a story requires first person and we want the reader to really identify with that point of view, it can definitely work, but it's all part of the learning process of becoming better writers to be able to distance yourself and show multiple points of view.
The most surprising thing was that Hughart was able to do the action very well in 1st person. That is one of my major complaints with 1st person is action sequences. I think one of the reasons why this worked for me so much was that he told the story in retrospect, as a story teller, not a character in the story (despite being the MC). Dunno, I'll have to think about it more ... maybe read it again.
pooka, pjp had the right of it. I never said it was a rule, I just said I usually don't like 1st person stories unless they are comedies or mysteries. Thus it is my rule, and not a writer's rule.
The use of first person in modern literature is more complex. A lot more complex. But I'll say that one of the main uses is to create an "unreliable" narrative, one in which we only know what the narrator character is willing to divulge.
Various techniques available to the modern writer impact the reliability of the narrator in different ways. The problem comes about when a novice writer, somehow unaware of the principles of reliability in narrative, uses first person carelessly and creates a narrative with an undesireable level of "unreliability".
If you don't have a firm understanding of unreliable narrators, or you don't want one in your story, then you shouldn't use first person. It's that simple.
quote:
If you don't have a firm understanding of unreliable narrators, or you don't want one in your story, then you shouldn't use first person. It's that simple.
I completely disagree. An unreliable narrator is not a prerequisite for first person. David Gerrold is a good example of a writer who uses mostly first person with a reliable narrator. It's just more difficult to pull off deep penetration in first person. It's useful if you want a told tale.
I didn't just say "if you don't want an unreliable narrator," I said "if you don't have a firm understanding of unreliable narrators, or don't want one".
It was so excellent, that I think the next novel I tackle will be done in first person.