When you say "education beyond high school" do you mean self-education or college education? I like to think myself rather intelligent, with a wide range of useless information, and some useful skills. I never went to college, however, after getting my GED.
I don't feel that this hinders my ability to write, after all I wouldn't be here if it did. If anything, it helps not having a college education; I can approach situations at a fresh angle, perhaps one pros had never even noticed before, giving it a little extra originality. Instead of the classic hiker building a fire by rubbing sticks together(who knew that would work!?) you might try placing some steel wool on kindling and touching a battery to it. Both achieve the same ends, but one is quite a different angle that most people(even most boy scouts) don't realize. Mayhaps a bad analogy...
At any rate, I think if I had gone to college, I would be smart enough not to waste my time writing :P
j/k
In the end, it doesn't really matter. I just do a lot more research than some.
Mark
By the time you leave high school you should know the ins and outs of grammar and correct language usage. At least, you should know them well enough to put them into practice (I can't say I know the name of every obscure grammar rule). Once you have that down, the rest is really style and creativity. And that's all about practice practice practice!
It has helped me to read a few "how to" books on the art of fiction. Boot camp helped me a LOT. I took a few online classes but only for motivation. They weren't even graded.
But I would say to a high school student who wants to be a writer that there is no need to major or minor in English or any of its variants. First, unless you want to teach that won't pay the bills. (And it's pretty naive to think you'll succeed at writing automatically.) Second, majoring in something aside from English gives you something to write ABOUT. That's the best thing you can get from college, IMHO.
quote:I second all of that.
But I would say to a high school student who wants to be a writer that there is no need to major or minor in English or any of its variants. First, unless you want to teach that won't pay the bills. (And it's pretty naive to think you'll succeed at writing automatically.) Second, majoring in something aside from English gives you something to write ABOUT. That's the best thing you can get from college, IMHO.
One of my minors was literature, only because I enjoyed it. My major was history. I wrote a LOT, and I did improve. However, what I ended up was a degree in exposition and summary. Translating that to fiction writing is, to say the least, deadly. My graduate degree isn't much better. Now I'm writing grant proposals, articles and HUGE research papers, so it's more exposition and summary and passive voice. Ah well.
Still, I think any education that requires writing is helpful, if only to get people used to using proper punctuation, capitalization, grammar and spelling. Fiction is not instant messaging.
What my college education has taught me directly about writing, though, is negligible. Rather, I should say my education taught me a lot about writing, but very little about writing fiction. I learned a lot about writing ABOUT fiction though, and some of the things I learned bled over into helping me write better generally. I picked up a couple good tips along the way, but not much more than that. Mostly, the exposure was useful and little else.
I will say, the one fiction writing class I took was fun, but I learned nothing from it.
Everything should be "grist for the mill" for writers.
I know a couple who write fiction for a living (there are many people who write for a living, but not all that many who can live off of their fiction writing), and they recommend that the best field to go into if you want to succeed as a writer is business.
They assert that most of the writers who are good enough to live off of their writing but who fail to do so fail because they don't know anything about the business of writing.
In my writing, my education is of some use. But my education-of-myself [read: lengthy and voracious reading of practically everything I could lay my hands on] has been of more use. And of more personal value to me than what I learned in school.
(I might someday go back and work more on my education in a traditional way, given time and circumstances. Now that I'm older, I think I might be more focused.)
But I'm going to have to agree with what all has been said. An education in writing gurantees nothing but an understanding of words. In my experience, authors like this tend to be slow and tedius reads(J.R.R. Tolkien, Christopher Tolkien, Anne Rice, Stephen King) much better to write something just because you want to (Walter M. Miller, J.K. Rowling). Like the difference between Linkin Park and Green Day(for us youngins - Linkin Park is a band formed of people who met at a music arts college, Green Day was 3 guys in Cali who wanted to make some noise - both are good, but I can relate better to Green Day's music than Linkin Park's)
I know I have no background in english other than a love of stories. That's why history was my favorite subject in school, I love good stories and I could read my history book almost like a novel if I cut through some of the garbage.
And that's why I'm here, too! I learn so much every day from reading other peoples mistakes and helping them fix it, and from having people help me with my mistakes. It also lends itself to a unique and excellent community. I love being on here.
Anyway, at this point, I'm rambling as I so often do, so
That's me,
Mark
I'm with Katherine--every step of education is "grist for the mill." Aside from the fact that greater experience = better writing, and more education = greater experience, most classes provide at least some opportunity to learn about writing. Law school for me was a three-year writing boot camp, and even my chemistry degree provided valuable instruction (by negative example) in writing.
That said, you still need to do your homework. The homework that has helped me most has been self-imposed. Strunk and White's _Elements of Style_, Lanham's _Revising Prose_, and Browne and King's _Self-Editing for Fiction Writers_ are probably the most important books to read and re-read for technique and style. All the other stuff... well, I'm still figuring that out. A few kind-but-biting critiques from Hatrack (djvdakota and wbriggs especially) really helped me out, too.
I work in marketing (my technical colleagues say that I've gone over to the dark side), which has really helped me learn to cut -- but that's not something I got formally. If you want to learn to cut, try to put everything that's most important about your product into 50 characters or less for a trade show sign.
[This message has been edited by oliverhouse (edited October 19, 2006).]
I must say, though, that just because a college education doesn't contribute directly to a lot of writing skills doesn't mean you shouldn't go to college. Even if you want to be a writer. College teaches you so many intangible things - about life, about responsibility, about growing up. Oh, and there's that whole 'having a degree' thing - kinda helps on job applications when your writing doesn't sustain your lifestyle.
quote:
How vital do you find education beyond high school to be in writing? Has it helped your own?
It has been incredibly important, because it has helped me get and keep a day job -- and one that will pay well enough to help me support my family without working one or two other jobs, which would take up all the time that I currently use for writing. And it has helped my writing by making it something that I do for relaxation and because I want to rather than because I'm desperate to eat.
[This message has been edited by oliverhouse (edited October 19, 2006).]
The flip side is that this doesn't just apply to formal education. Who's to say that writer Jack's experiences living in the slums of New York aren't more valuable to his writing than Marcy's physics courses at Harvard are to hers?
In other words, I wouldn't sweat it if you don't have a college education. You have your own set of experiences that may be just as important as the ones you'd get there. On the other hand, don't hesitate to keep your idea net ready while you're taking that History of Medieval Europe class in college; great ideas and experiences can come from wherever you walk in life, whether that's the halls of an Ivy League university or the supermarket where you bag groceries part-time.
[This message has been edited by AeroB1033 (edited October 19, 2006).]
A distant relative of mine---I'm not exactly certain how to describe the connection, and I'm not even sure I've even met the guy (the story came to me through family gossip)---worked as a lower-level editor for certain newsmagazines. I'm told he reached a point with at least one of them, where he wouldn't rise any further in the ranks, because he didn't go to any of those "right schools."
I've wondered if failing to make the right connections plays into SF writing, too. Maybe I'd've had more writing success if I'd gone to conventions...involved myself more in fandom...talked my way into one of the college writing workshops. I don't know if I'd've done better...but not being sure eats away at me.
It's not neccesary to have gone to such schools to arrive at success, but it sure lets you take a much easier road to get there.
Example: A couple friends of mine from undergrad became lawyers, but while I went to a school whose name everyone would recognize, they went to more regional schools. They got grades similar to mine both in undergrad and law school, they are both excellent lawyers, and I'd consider it an even match were I to face either in court. But so far in our careers, they find themselves relegated to smaller markets / firms while I have considerably more extensive options. The only significant difference between my resume and theirs is the name of the school that precedes the letters "J.D." It ain't fair, but it's life.
[This message has been edited by J (edited October 19, 2006).]
You gotta wonder about any system that got them those writing jobs...
quote:
Is "success" that important?
In some ways, not at all. In other ways, very.
I've enjoyed writing well enough...but, all things considered, I'd still rather have sold some stuff...
My other writing classes, not at all.
My other classes, sure, to the degree that the more I know the easier it is to come up with stuff. With this very important exception: my other classes helped me keep from starving to death, which would have interfered with my writing career.
[This message has been edited by wbriggs (edited October 21, 2006).]
Maybe if I'd'a kept a more-open mind, I'd'a done better.
But I also remember my reactions at the time: they ranged from boredom to outright anger at being subjected to it.
One high school teacher sniffed with disdain at science fiction and fantasy in the first class...our relationship went downhill from there...as did my grades...
I also took a high school class [different teacher] covering stuff purportedly science fiction---only one book was science fiction ("Childhood's End"), with the rest being the usual literary suspects (Orwell, Huxley, Golding, one other I don't remember.) I did okay...but I think to this day I could have gone to my own collection and picked out a better selection for study...
A college composition teacher used to mark use of "there is" or "there are" as mistakes. I've occasionally used that for cutting purposes---but I see no reason why I shouldn't use them when I choose to.
So I don't regret those classes or my attitude. I eventually sorted through a healthy portion of "good literature," on my own. I even found some great stuff in the textbooks themselves. But, in the end, what I learned, I learned outside them.
Going to a Unversity has also showed me how to discipline myself. Personally I just love writing and can't see myself doing anything else, so I'll spend my days studying it in hopes to make it as a writer myself. If I don't make it as a writer then I guess I will teach it, but I'm all in either way.
I would have liked to have taken some language courses other than French---but that was all that was available. I tried (and failed) with German on my own...I'd've liked to take something maybe more exotic...Spanish, Russian, Chinese, Japanese, Arabic, and Farsi come to mind. Possibly (maybe likely) I would've failed...but I'd've appreciated the exposure. (As, belatedly, I appreciate the exposure to French.)
I would've liked to take up fencing---something I might've put to use in heroic fantasy---but, again, nobody offered it. My athletic requirements ended with a course in bowling---after which I swore I would never pick up a bowling ball again as long as I lived.
The last two are also what are euphemistically called "dead languages." I'm drawn to a language that wouldn't change from region to region, that once one got the pronounciation down one could understand anyone who spoke it at that level. (In French, I could never roll my "R"s right...)
College is probably the most efficient was to develop new experiences, new neural connections, which spark your creativity. Certainly travel and work can do the same thing, but I believe a college class can give you more new thoughts and ideas in less time than just about anything else.
The possible exception is courses in English grammar or creative writing. These may hone the writing machine in you, but if you want to expand your ideas to a higher level then take a class in psychology, sociology, economics, history, language, anthropology, mathematics, physics, art history, chemistry . . . they're all good.
Of course though, I'm attending a college with a really good english program, that encourages (well requires) students to also take higher level classes in other majors. I find writing to be a very "alone" thing to do, so when I can surround myself with other writers I do, and college is perfect for this. It makes the path to becoming hopefully a successful writer much easier.
In other words, the amount of time and effort it would take you to build such a machine is far greater than what it would take for you to learn Kung-Fu using traditional methods (and those methods would result in learning more than just the movements of Kung-Fu). Therefore it fails the efficiency test.
You don't BUILD the machine. You just take the blue pill.
As for hatred of SF, I think that being forced to write something you wouldn't ordinarily write is kinda the point of taking a writing class. Of course positive instruction is better than negative, but the fact that you wouldn't be able to write in your chosen genre isn't really a good reason to avoid creative writing courses.
Not that you shouldn't avoid them. Because you should.
If it's a workshop-style class, though, one benefit is that you quickly learn which stories are cliches, because everybody in the class will write the same bullcrap.
This was wonderful background for me in terms of writing. First of all, my head was filled with experience and interesting (and potentially useful) knowledge. Secondly, I was taught to think critically and logically. Thirdly, though my writing skills were already quite strong, the degree helped me to develop my skills and abilities; we wrote constantly. We also read a lot (an insane amount, especially in grad school), and reading good writing helped me to write well. Finally, it helped me hit a writing groove. In grad school, I had several weeks where I had to write 100 pages a week of good quality text, if not excellent. I wrote a lot of ethnographies, which are sort of like fiction with a lot more fact and theory thrown in .
I, for one, believe that my education wasn't necessary for me to write after high school graduation, but I am so glad I did attend college, especially graduate school. Not only did it help me develop and enhance current skills, but it helped me learn new ones.
Finally, and perhaps a very important point to remember, those of us who decide we're going to be professional writers early on may need something "to fall back on" while we're learning our craft and working on publication. Even though we may eventually be published regularly, our stories and novels may not always bring in enough money to live, particularly if we start having families. Having a day job that brings in a decent paycheck (and usually one qualifies for such jobs when they have a college diploma) is usually a very nice thing. Unless you're into the starving artist ideal, that is. I have to admit, however, I tend to do my best writing when I eat somewhat regularly.