For those of you who have gone through this agent thing--at what point do you decide that you need to revise a query letter and how do you pinpoint what the problem is? (ignoring the possibilty that your novel sucks--or mine in this case)
I'm currently at 10 rejections and 1 partial. Now, I'll admit a lot of those rejections were from some agents with really full client lists. That has to make rejections even more likely--or I suspect it does anyway. (Pffft I have yet to have Russell Galen even bother with a rejection--the pain lol)
That seems like a pretty poor percentage, but I'm really not sure. Any opinions? I did decide to take a rhetorical question out as the hook. A lot of agents hate that although I thought it was a GOOD rhetorical question. *sighs*
Edit: Does anyone besides me suspect that "I'm not enthusiastic" equals "you suck"?
[This message has been edited by JeanneT (edited March 11, 2008).]
quote:
Edit: Does anyone besides me suspect that "I'm not enthusiastic" equals "you suck"?
lol. too funny. I don't think that's what it means. I think it means that the story was 'nice' but not overly so. It's more of a "It's not you, it's me" for writers; it's their way of saying, "this isn't right for me, but someone else may enjoy it". Or, to quote Peter Griffin:
quote:
"You strike me as someone that I don't like, but that others may find enjoyable"
So, I think it's just a matter of finding someone who likes your subject matter and style.
I considered changing the letter after the first three rejections, and tweaked it after five so waiting to see if that has made any difference.
I'd say, JeanneT, if you think the letter needs changing, change it. As for pinpointing the problem, it's gut feeling more than anything else. If something doesn't feel right to you, change it, you know the story better than anyone.
I also suspect "This isn't for me" and "I don't feel I'm the right agent for you" really mean "I think that is the dumbest idea for a book I've ever heard." But then, I know they're wrong, and it is actually the greatest idea for a book they've ever heard.
Twenty-something said no to JK Rowling before somebody said yes.
Whenever I play a show with my band and people leave before we go on, I think to myself, "Well now we have to play the best show ever, so that all those people will have missed the best show ever." I would love to leave a trail of agents and publishers who are kicking themselves, saying, "Damn it! I had a query for that one on my desk and I said no! Why am I so stupid?"
I'll make him sorry. I'll query him again. *mutters under her breath*
I am trying not to get sad and chuck the whole thing. I've still got 4 letters out there. We'll see...
I have now tweaked my query and am going to do round two of querying - 15 letters this time.
KStar, don't be sad or chuck the whole thing after only 10 queries. That will hopefully give you enough feedback to decide if you need to work on your query and then you keep on keepin' on.
[This message has been edited by JeanneT (edited March 12, 2008).]
He must have one heck of a stamp collection from all the unreturned SASEs
I agree that 10 and 1 isn't terrible. But I'm not sure it's as good as it should be. Anyway I sent out queries to ten of my A List agents (who rarely takes on new writers) using a new letter and got an immediate request for a partial.
Which could be simple good luck or could mean the second try is better. It's a continual guessing game.
[This message has been edited by JeanneT (edited March 15, 2008).]
Edit: Whether the agents will give me the time of day--that I won't know until after they look at the partials. lol
[This message has been edited by JeanneT (edited March 18, 2008).]
I've known at least two authors now, not big time names, newbies, like us, that have found agents without any previous pubs.
Granted, I don't think having a long list of short story pubs is ever going to hurt your novel career.