I haven't written a whole lot of flash, but my understanding is that when dealing with such a limited word count, the plot needs to be scaled down. In most cases, you can't take a short story and whack it into flash because a short story is too complicated to do it justice in 1,000 words. If you want to look at in terms of Card's MICE formula, you have space to really tackle one of those angles, but not all four.
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any first draft can be improved by a hard edit
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The story is more important than the word count.
I agree totally. However also...
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I haven't written a whole lot of flash, but my understanding is that when dealing with such a limited word count, the plot needs to be scaled down.
Theres this. To me, "flash fiction" is in a way its own story type. Its going to be different from a "standard" short story. I'm no expert on flash, but I think probably the experience of flash fiction is going to be somewhat different from that of reading a "standard" short story, just as short stories offer a different reading experience than novels.
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If you want to look at in terms of Card's MICE formula, you have space to really tackle one of those angles, but not all four.
In the story in question here, I think I'm going for 2, maybe 2 and a half. It all kind of depends on how you look at it, but I feel like flash almost can't do the ups and downs, thrill of the ride type thing that longer short stories and especially novels can do. I think flash is best suited to various combinations of idea, setting and event stuff.
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In most cases, you can't take a short story and whack it into flash because a short story is too complicated to do it justice in 1,000 words
Definitely. At this point as far as the story in question, I'm trying to figure out if this is the case or not.
Overall, for me I tend to liken flash fiction to a painting...something you see and appreciate as a whole, single thing nearly all at once, as oposed to standard short stories or novels which would be more like TV show episodes or movies respectively.
There is a lot of economy involved. A lot of shorter stories can be cut quite severely, but writing flash fiction requires a purpose-built plot line that accomodates that economy. Cutting down a short story generally won't do it.
You have to find ways to introduce background quickly and you can't have a bunch of characters. The story arc has to be quick. Look at Skadder's Color Challenge to see that story arcs can be condensed. When you write your flash, you may find you have to concentrate on an aspect of MICE in order to make it work in a tight little package rather than give equal attention to all four story elements.
[This message has been edited by Owasm (edited May 15, 2010).]
That said, I read the same flash and liked it. It seemed to tell a complete story to me, with a very interesting milieu and a touch of back story. Hard to do, I thought.
There's not a lot of character development in terms of a change in the characters. They face a choice and make it despite the consequences, which will prevent them from learning or growing from the experience.
Would I, as a reader, have enjoyed seeing more of the milieu? Yes. Could the little touch of character backstory have been cut and the story still worked? Possibly. Or both could be expanded.
Do what you want with it and see what happens.
But for flash, I think it does best to keep a singular focus. If two concepts are somehow fully blended then you might be able to work in two, but I think that's rare.
My recommendation would be to write the story you want and let the word count fall where it may.
I must have read more than 500 flash stories from that site (as well as having sold several there), and it's taught me a lot about what does and doesn't work. Most stories that try to do too much fail. I have cut 1300-word stories down to 1000 successfully, but never anything longer.
Of course this is a "do as I say, not as I do" situation. If you've got a story, and it's a little over, but only a little, send it on...all they can do is reject it.