The Key Conditions for Reader Suspense Part 1: Problem
The Key Conditions for Reader Suspense Part 2: Character
The Key Conditions for Reader Suspense Part 3: Plot
[This message has been edited by johnbrown (edited October 31, 2010).]
I started the first one, but my eyes are burning right now (I suspect from burning the NaNo candle), so I'll have to read more later.
It's reminiscent of your and Larry Correia's (sp?) LTUE lecture. maybe an expansion of those ideas?
This series of posts was great! And what I loved even better, was that when you read the first chapter of his book he has posted you can see what he's talking about in action. In that first chapter there was what seemed like a very likeable family unaware that a mob (including their neighbors) were descending on them. So it really illustrated the tension that can be created when you have sympathy for the characters and the reader knows something is coming that the characters don't.
Very insightful!
Thanks!
It's an interesting angle. Having written screenplays and been to several screenplay bootcamps (some of my own imagining), conflict is driven into you over, and over, and over. Character, desire, conflict, end point for every scene. I've always thought that is what drove the story forward.
But I've never thought of the reader experience, focusing always on character and conflict. Reading your first post was an epiphany for me that the story is the vehicle for providing the reader an emotional arch, and it's that arch we're aiming for.
It also gives me a bit of a lift to think that I can screw up 80% of the time and as long as that 20% is on the money, I can still be a successful story teller.
Thanks for posting. I'll come back to read more.
It's a culmination of what I've been thinking and building for a few years now. After a workshop I put on in American Fork, UT this fall, I decided I needed to get it down. Glad it's helpful. Let me know if you think of ways to improve the model or have questions.
Interesting bit of coincidence: The story I am writing for NaNo actually is set in a world that has already experienced what the first two comments talk about. The sublimation of a culture (many of them actually) by their conqueror. I don't think domination is quite the right word either and I've been struggling to come up with a better one.
Anyway, I'll be pulling ahead today, and might have more time to get into the links. One thing I find interesting already is the emphasis on finding the key to suspense--the hypothesis being suspense is the hook that carries the reader through AND that which makes for a broader readership.