The third, hybrid options was added later.
-- Option 1. --
It was the most televised event in history, but to Matti it was just a fleeting streak in the sky. In the tropical glare, with the sky an infinite blue, the sand a reflected silver, and the surface of the sea a white blaze, the smoke-trail was all but impossible to see. For all he could tell, it might have been a thin, ethereal vapour-trail left by some high-orbit jet as it passed overhead; it certainly gave no indication that it was a human body re-entering the Earth’s atmosphere.
In the hours leading up to the spectacle, the more sensational elements of the media had been busy speculating how Jonas would still be alive as he entered the mesosphere, and how he would have almost four minutes to watch his outer protective layers carbonise and peal away like the scorched skin of a chicken left
-- Option 2. --
Matti watched the French lesbians farther up the beach. The one with the breasts that looked to have been bought from some cheap Taiwanese chop-shop had her top off again and was wading in the waist-deep water. The other, the butch one, was wearing the complementary New Caledonian Tourism t-shirt with the sleeves rolled up over her deltoids. When she saw Matti looking, she lifted a hand to wave and pointed to the trail in the sky. She said something in French, but Matti didn’t catch what it was. There was humour upon her face. The brief view up her sleeve had shown Matti black hair so dense that it looked almost as though she was cradling a coconut in her armpit. Matti gave a thumbs up and waved to indicate that he had seen the streak. She nodded once, then turned to her partner and began arguing
-- Option 3. -- Hybrid, see posts below.
Matti was initially alerted by the French lesbians farther up the beach. The one with the cheap Taiwanese chop-shop breasts had her top off again and was looking up at the sky, shielding her eyes from the tropical glare with one hand. When he looked, Matti saw what could have been an ethereal vapour-trail left by some high-orbit jet as it passed overhead; it certainly gave no indication to being a human body re-entering the atmosphere.
In the hours leading up to the spectacle, the more sensational elements of the media had been busy speculating how Jonas would still be alive as he entered the mesosphere, and how he would have almost four minutes to watch his outer protective layers carbonise and peal away like the scorched skin of a chicken left too long in an oven; other opinions insisted that he would
[This message has been edited by Dropbear (edited January 22, 2010).]
[This message has been edited by Dropbear (edited January 22, 2010).]
"There was humor upon her face" sounds a little stilted to me. Maybe something about her laughing, smiling, or having a sparkle in her eyes would work better.
Option 2 focuses more on the lesbians then the asteriod, which is fine as long as they are an important part of your novel, but if they are only there to add flavor to the scene, I suggest you focus more on the asteriod.
I'll give nits once you have chosen an intro. Good Luck!
MAP, from you writing I take it you intended to vote for Option 1.
The French lesbians are in the scene to give someone for Matti to have dialogue and action with so they can discuss what the human meteor means -- was it suicide? accident? foul-play? Was he alive? etc. Otherwise the scene would just take place as Matti's retrospective. After this opening scene, they don't appear again.
I don't find anything interesting in the second to make me keep reading. Even though we know more about Matti, what we know isn't very exciting: he's a man who likes to stare at lesbians on a beach. Plus, as you raised in your first option: why would anyone pay attention to the trail, when it could be mistaken for an airplane?
Option 1 keeps me reading. Option 2 has me looking for something else.
MC is a guy. He is on the beach. There's this thingy which crashes into the atmosphere. He sees two french lesbians. He becomes interested in them for obvious reasons, hence the analysis. They interact with MC, which as a result of the interaction derails his attention back at crashin' thingy. This might take a minute, 20 seconds, doesn't matter, but the thought->action process seems more natural to me in the 2nd version.
The REAL question is: which one do YOU like? It should be the one with which you are most comfortable with.
Then again, i've been on this site/started writing for 4 months, never published a thing, so my opinion is just an opinion, without anything to back it up.
But this is your story, and both are good. So chose the one that best matches the tone of your novel.
In that case there's a leaning towards option 2.
As for which one I like ... I'm unsure, which is why I posted in the first place.
The first option gets to the meat of it and has some shock value (a person burning up in the atmosphere on re-entry, possibly still alive, I find a little shocking and disturbing).
The second one, as people have noted, is more about the MC. It also seems more natural to me. But it looses the shock of option one, and delays the introduction of the main thrust of the scene which is about this guy burning up in the atmosphere.
Option 2 focuses on the characters and promises to be more character driven.
Option 3 feels like option 1.
So I think you need to decide what type of story are you telling, and use the opening that promises that story.
At least that is how I see it. I hoped this helps.
I'll wait to see what else comes out in subsequent discussion before making a final selection.
Thanks all!
If you plan to do a lot more with the lesbians, fine. If they're just there for that scene, that works for me, too. They serve a purpose of giving us some insight into Matti's personality and priorities.
[This message has been edited by Nagrom (edited January 23, 2010).]
In fact I have trouble believing that your Main actually would have taken enough notice of the media to be able to recall this amount of detail, he seems more interested in breasts than newspapers, at lets face it, it is that fact that makes him easy to relate with. Which is a huge plus because in 13 lines we already have a character we can relate with (in a situation we can relate with).
This is of course unless he was eating chicken at the time of the news and the mention of cooked chicken piqued his interest
Good dig, I like the pace of the third better, but might feel more natural if is was what Matti recalled of the news.
"The media had kicked up quite a storm about this 'Jonas' guy but all Matti really recalled was that he was probably going to cook on re-entry. 'Like a chicken's skin left in the oven too long' they had quoted. It simply reminded Matti that he was nearly due for lunch. Why a man would do this Matti had no idea. Nor did he care, and returned his attention to the lesbians."
Taken a lot of liberties here with your characters, but only just as an illustration, not at a replacement.Just to give you something else to play with, because you have a good handle on your writing and first 13s are a pain in the ass.
Keep it up
Simon
I was a little worried about coming across as sexist (or at least 'typical male' if not sexist), but I ran it past some women readers and no one complaint. I also ran it past a lesbian who found it funny. Most agents (in this country at least) seem to be female, and I didn't want to ruin my chances of publication on something as silly as having a beginning that offends women.