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It was 12:00 am and the secret meeting of the shareholders of K-technologies had just begun. The room was quiet as four men sat at a long black table, two men on each side and the fifth man was at the far end standing in front of a large glass window smoking a cigar. Cigar smoking man, who was no doubt the oldest of the group and most definitely the most powerful of the shareholders, spoke first, turning away from the window to face the other men: " Gentleman, last night I received a very troubling message, which is why I called this meeting to order," he sat down at the table staring at the men and a look of fear in is eyes concerned them.
The younger man with glasses spoke first, "What's this about?"
Cigar said nothing for a long time and then, trembling, he
[This message has been edited by Kathleen Dalton Woodbury (edited February 25, 2010).]
[This message has been edited by Kathleen Dalton Woodbury (edited February 25, 2010).]
One thing that might be a downside: this opening is really common. I'm way too familiar with this concept to be drawn in much. Also, you're writing in third person cinematic. That's not necessarily a problem, except I feel really removed from the tension. You hint that there is tension: "Cigar said nothing for a long time and then, trembling, he" but I don't feel it.
You asked to know what might make it better. This is just an idea, and feel free to throw it out, but I'd try writing this in third person limited. I like to insert someone's thoughts whenever tension is high. You might have Cigar reflect on what is at stake here. If I know the stakes are high, I'm going to care what happens. I'm not sure if that helps, sorry!
I know what you're going for here. I was never confused or bored. But I wasn't dying to know what happened next.
Hopefully someone else will post on your first 13 because I dont' want my opinion to be the only one! Good luck with this!
[This message has been edited by TrishaH24 (edited February 26, 2010).]
The last three sentences could be combined into one by having Cigar-man turn to them, trembling, or speaking in a trembling voice.
That would leave some room for the rest of the hook.
The problem is that you set up the when and where first which isn't the most exciting thing to start with. Movies get away with this because they visually establish it at the same time that we see the action, but in writing it takes much longer to give the setting and risk losing readers before you get to the story. I say start with the story, and work the setting in with the scene.
I suggest starting here.
quote:
Cigar smoking man, who was no doubt the oldest of the group and most definitely the most powerful of the shareholders, spoke first, turning away from the window to face the other men: " Gentleman, last night I received a very troubling message, which is why I called this meeting to order," he sat down at the table staring at the men and a look of fear in is eyes concerned them.The younger man with glasses spoke first, "What's this about?"
Cigar said nothing for a long time and then, trembling, he
This cleary shows that the men are in a meeting while the action takes place. You can work in that it is midnight, a secret meeting of shareholders, and the number of men there as the scene unfolds. JMO
Nothing really draws me in right now. I too do not favor the cinematic approach to novel writing.
I don't think it is necessary to say that four men sat at the table with two on each side. Most people can visualize what a meeting looks like without being told the specifics of how it is laid out. So unless it is important to know that two people were on each side of the table because a bomb is going to explode that kills only the two on the window side, or whatever, you can leave it out.
But I do like Cigar man.