Ian Brody perched on the roof of a building like a gargoyle. The September breeze rushed past him, leaving behind a refreshing chill. Ian should’ve been looking for crimes being committed but he got distracted by the city's glow. The Manhattan Lights streamed in the city, causing it to radiate.
It had that rare quality of being more appealing during the night than during the day. Like a vampire, though, the city truly came alive at these hours. It never slept. It was in a constant state of activity. People were always on the move, music always blaring, and the engines of moving cars became as common as the cricket sounds you’d hear in a quiet, suburban town.
[This message has been edited by Moester (edited May 11, 2010).]
Still, it's really interesting and it can be hard to give that kind of info in thirteen lines.
Oh, and welcome to Hatrack! Glad to have you here!
Trish
I really had to look hard to find any nits, but I got a couple.
quote:
Ian Brody perched on the roof of a building like a gargoyle. The September breeze rushed past him, leaving behind a refreshing chill. Ian should’ve been looking for crimes being committed but he got distracted by the city's glow. The Manhattan Lights streamed in the city, causing it to radiate. (I am not really sure what you are trying to convey here. Aren't the lights coming from buildings in the city? So where are they streaming in from? And radiate is really bugging me here. Don't things radiate something, like radiating heat? This whole sentence is confusing to me.
It had that rare quality of being more appealing during the night than during the day. (Aren't most cities more appealing at night? At least they are to me. ) Like a vampire, though, the city truly came alive at these hours. It never slept. It was in a constant state of activity. People were always on the move, music always blaring, and the engines of moving cars became as common as the cricket sounds you’d hear in a quiet, suburban town.
Okay, obviously I really had to look hard to find anything, so feel free to ignore me. What you got here is good.
Ian Brody perched like a gargoyle on the roof of the cathedral.
Ian Brody perched like a gargoyle on the roof of an abandoned warehouse.
Ian Brody perched like a gargoyle on the roof of the empire state building.
Ian Brody perched like a gargoyle on the roof of an old brick apartment complex. etc. etc.
Is this a building he is on top of often? Is it his secret lair? Is it a random building? It sounds like it's just a random he just decided to hang out on for the time being but I could imagine this story how ever I want without knowing what building he's on, but I'm reading your story so I want to know what you are imagining he's on.
Once I get the feel of the story as I read on I wont care what kind of building he's on top of because I know where he usually hangs around. It's only important because it's your very first sentence.
If you need someone, for future refrence, to take a look at this for you, I would be happy to read some of what you have. I can't guarantee I'll have super awesome feedback, but I can promise you that I'll let you know what I think from a reader's perspective and anything else that comes to mind.
Good luck.
~XD3V0NX~
Let me echo some of MAPs concerns. The "streaming lights" phrase has a nice ring to it, but seems like an incomplete thought, that needs to be fleshed out a little.
The discussion about the city at night was again well written but there are some subtle flaws in the phrasing. Why is the city more interesting at night? Maybe the flaws are hidden by the dark. More interesting people are out and about?
Also in that last sentence you could convey more of the vitality of the city scene. You talk about all the different city sounds, but maybe suggest they blend into a gumbo of sights and sounds that provide the night flavor. It seems like that sentence is kind of flat compared to the rest of the paragraph.