| |||||||||||||||||||||
|
Hatrack River Writers Workshop
![]() Fragments and Feedback for Short Stories
![]() From the Darkness [WIP Short Story]
|
| next newest topic | next oldest topic |
| Author | Topic: From the Darkness [WIP Short Story] |
|
simoncake Member |
Just after some feedback on this 13, its very early but I am wondering if it sits right for an opening. Its pretty rough, I know that. But I just want to know if you'd turn the page to see if Im off on the right foot... Thanks, Simon --- Caden looked up as the sea lapped at the sandy shores and smirked. The perfect blend of night and day spread effortlessly across the sky. It was irony he thought. That such a perfect visage would stand witness to the tragedy below. Caden turned from the sunset surveying the beach. As far as the sands stretched they were littered with bodies in varying states of life and death. “Back to work.” Caden grumbled and returned to the dead. --- IP: Logged |
|
arriki Member |
I think -- my opinion -- that this is mostly "purple prose" rather than lyrical prose. And it's too repetitive, also. IP: Logged |
|
Bent Tree Member |
I liked it a great deal, but I have to agree that the repetionion muted this otherwise nice prose. I would just like to add that if, in the second paragragh, instead of continuing with the beauty that you contrast it more with the darkness of death. This will also serve to generate more of a 'hook' element. That being addressed, I would turn the page. IP: Logged |
|
Meredith Member |
I've seen sunsets. If you just give me a sentence or two, I'll be able to picture it for myself. I think you need to spend more words on Caden, what he's doing, and what just happened to leave so many men dead and dying and less on the sunset. IP: Logged |
|
tchernabyelo Member |
Yes, I 'm afraid this is a classic instance of you-the-writer trying to settle yourself into the milieu before you start the actual story (and is a typical symptom of not actually knowing what story you are about to write; I know, I did this myself for many years before realising what I was doing). Fine for starting your writing process, but the settling in should be excised from the draft on the first run-through. IP: Logged |
|
simoncake Member |
Exactly what I was looking for, thanks for the feedback. Simon IP: Logged |
|
simoncake Member |
Ok, now this is a first 13 from another perspective. It's written in "mega awesome ultra draft form" as a second chapter as to introduce another character from her POV. But, after toying with it, It could be possibly a better opening hook. After reviewing the Caden POV it has gotten quite bloated, and the two chapters or segments that follow his are actually more snappily written and move and feel better. It means Caden goes to the re-write pile, but it's in his best interest. So, here goes: --- Just yesterday she had been on a beach somewhere in the west where the ocean met the sands. It had been a trap, it always was. As usual she sprung that trap with all the skill and grace that she could muster. What had surprised her was the trap within the trap. They were getting smarter. She was sure they now thought they had dealt with her once and for all. [This message has been edited by Kathleen Dalton Woodbury (edited November 21, 2009).] IP: Logged |
|
adamatom Member |
Oh MUCH more intriguing. I want to know NOTHING about Caden, I want to know EVERYTHING about Elise. IP: Logged |
|
NoTimeToThink Member |
In the first version, it would have been better to skip the opening paragraph and get right to Caden on the beach. But based on the second version, your POV should be Elise, so the Caden POV is just a warm-up to get to Elise. Just like the sunset paragraph was a warm-up to get to Caden. I hope we're not going to find out that Elise is a warm-up for something else... ![]() The second version definitely hooks, although there is some confusion about whether Elise was dead, or just at death's door. Also, you are going right into a flashback to the beach. What if you started it on the beach, but from Elise's POV? Let us experience her "waking" on the beach, hear or see her attackers observing her dead body (she's hovering out of body?), then bring her back when they're gone. IP: Logged |
|
simoncake Member |
Thanks for the feedback, there is the inconsistency re death and deaths door, thanks I'll tidy it up in revision. The story revolves around both Elise and Caden and how thier paths cross as the result of a meddling 3rd party... Looking like it might tick in around 10k which fits short story form. The question will then be if it is a story in it's own right or part of a larger novel length arc. Thanks again for the honesty, but one more thing... The writing falling roughly into chapters or stanzas, is this ok for a short? It feels right, but opinions? Simon IP: Logged |
All times are ET (US) | next newest topic | next oldest topic |
![]() |
|
Powered by Infopop www.infopop.com © 2000
Ultimate Bulletin Board 5.47d