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Author Topic:   Dianora
Wolfe_boy
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posted November 17, 2009 06:35 PM     Click Here to See the Profile for Wolfe_boy   Click Here to Email Wolfe_boy     Edit/Delete Message
It's clearly been too long since I've submitted something. Here goes...

quote:

Henry rose to his feet, a glass of chardonnay balanced between his fingers. “You know I’m always interested in new off-world art,” he said.

“Well why else would I have invited you over? Would you like to see it?”

Henry shot me a knowing look. “Of course. Lead the way.”

We left my salon, heading deeper into the house. “Now I don’t want to ruin the debut for you, but there is something you should know,” I said as we entered a dim corridor.

“Such as? Is it shocking? Pornographique? Magnifique? Degoutant?”

I shook my head. “No, none of those. It’s… they have this kind of stone out on Betelgeuse IV, some kind of mimetic granite.”


[This message has been edited by Wolfe_boy (edited November 17, 2009).]

[This message has been edited by Kathleen Dalton Woodbury (edited November 17, 2009).]

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Phobos
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posted November 17, 2009 06:40 PM     Click Here to See the Profile for Phobos   Click Here to Email Phobos     Edit/Delete Message
I like the dialogue here. It is top rate. I also found the hook subtle, but enough to make me turn the page.

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Merlion-Emrys
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posted November 17, 2009 06:41 PM     Click Here to See the Profile for Merlion-Emrys   Click Here to Email Merlion-Emrys     Edit/Delete Message
I don't know from hooks but the concept of mimetic granite immediately got my attention.

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NoTimeToThink
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posted November 17, 2009 07:28 PM     Click Here to See the Profile for NoTimeToThink   Click Here to Email NoTimeToThink     Edit/Delete Message
Sounds interesting (has an appealing flavor), but not sure I'm hooked.

First line needs a comma after "new".

It might have just been me, but I didn't understand that the POV character was speaking in line 2 - it could have been a third character in the room. It wasn't until "Henry shot me a knowing look." that I understood this, so I was a little confused trying to get my bearings. Perhaps if the first line ended "he told me" so we know who(m?) he's speaking to.

Also, the line

quote:
“Such as? Is it shocking? Pornographique? Magnifique? Degoutant?”

caused me to stumble. (Try saying "Such as? is it..." out loud. When I try it I have to put a l-o-n-g pause where the "?" is to make it less awkward to say, but on the page it looks like the pause should be very short. Maybe it would be smoother if there was something more inserted, like
quote:
“Such as?" Henry raised his eyebrows. "Is it shocking? Pornographique? Magnifique? Degoutant?”

The idea of mimetic granite is interesting - but not enough to make me want to read further.

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Merlion-Emrys
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posted November 17, 2009 07:30 PM     Click Here to See the Profile for Merlion-Emrys   Click Here to Email Merlion-Emrys     Edit/Delete Message
I suppose I'm unusual in that for me, subject matter is the primary "hook." Whether or not the story is about something interesting to me is in the end the most important factor by far.


In the very begining it is a little hard to be sure whose talking. Of course chances are low that someone actually reading it would even notice that.

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BenM
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posted November 17, 2009 09:18 PM     Click Here to See the Profile for BenM   Click Here to Email BenM     Edit/Delete Message
quote:
Henry rose to his feet, a glass of chardonnay balanced between his fingers. “You know I’m always interested in new off-world art,” he said.

“Well why else would I have invited you over? Would you like to see it?”

Henry shot me a knowing look. “Of course. Lead the way.”


I was thrown out by the me - because up until this time I was trying to figure out who was speaking, and had assumed a third person point of view. Since in the first paragraph the reader only encounters Henry, the dialog in the second is unattributed, and the reader is not going to automatically assume it's the narrator speaking.

Unfortunately this threw me out, hard.

I think with a little massaging I'd continue reading though, I like what appears to be an interesting contrast between the characters.

[This message has been edited by BenM (edited November 17, 2009).]

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BoredCrow
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posted November 18, 2009 03:41 AM     Click Here to See the Profile for BoredCrow   Click Here to Email BoredCrow     Edit/Delete Message
In my opinion, the story really starts on the fourth line. The first three seem more to me like an intro. So one way to start it would be: "I led Henry into a dim corridor at the heart of my house. 'Now, I don't want to ruin the debut for you...'"

And I agree with what Ben said about the shift to first person; it surprised me as well.

Just one thought, of course.

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Architectus
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posted November 18, 2009 07:41 AM     Click Here to See the Profile for Architectus   Click Here to Email Architectus     Edit/Delete Message
I like this and would keep reading. I have a suggestion, though. You should start with her POV.

I think you should start with "we left my salon," but perhaps say, "Henry and I left my salon . . ."

quote:
Henry rose to his feet, a glass of chardonnay balanced between his fingers.

This is two sentences. If you wanted to use a comma after feet, then you would have to change "balanced" to "balancing."

But then it would probably work better as.

Henry rose to his feet with a glass of chardonnay balancing between his fingers.

Or Henry rose to his feet, carefully balancing a glass of chardonnay between his fingers.

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tchernabyelo
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posted November 18, 2009 12:59 PM     Click Here to See the Profile for tchernabyelo   Click Here to Email tchernabyelo     Edit/Delete Message
I agree with BoredCrow. For me, te first two lines are "as you know, Bob..." dialogue and don't quite ring true. They set the scene for the reader, but I'm not sure they are really needed; you con work sufficient context into the real meat of the conversation.

And I have no idea what mimetic granite will be, but I'd read on to find out.

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Wolfe_boy
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posted November 18, 2009 06:56 PM     Click Here to See the Profile for Wolfe_boy   Click Here to Email Wolfe_boy     Edit/Delete Message
I have a confession to make.

When I got to line 3, I couldn't decide what POV to use - first, third, Henry's or mine (Bryn's), how close, etc. Seriously, paralyzed for 15 minutes, figured I just needed to move on and I went ahead with what came naturally, but I know from the get-go I was in third and I should have just stuck there. Funny as hell that everyone else caught it too, or maybe not so funny as we're all pretty close readers.

I'll think about the opening. I was doing some stage setting and wanted to define the two characters somewhat before we run into... well, what we run into... maybe it's a detail I can fit in later.

I'm batting 5 for 7 on the hook thingy. Anyone want a full?

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satate
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posted November 18, 2009 11:13 PM     Click Here to See the Profile for satate   Click Here to Email satate     Edit/Delete Message
I'll read. I enjoyed your beginning and liked the hook.

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Dark Warrior
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posted November 19, 2009 12:48 AM     Click Here to See the Profile for Dark Warrior   Click Here to Email Dark Warrior     Edit/Delete Message
Dont think that I am adding anything new here, but for what its worth:

-Liked the hook, Henry's question about the art, then MC making his idea's of risque seem mundane.

-Liked the dialogue

-Like others the POV banged me around. I thought POV was Henry and until me I was like, who the hell is talking?

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