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Author Topic: Orginal Potry
ae
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Tom:
quote:
These poets all used rhyme fairly often, wrote in intelligible English, and didn't produce images that were TOO hard (except possibly in Eliot's case -- but the beauty of his poesy is strong enough that you'll enjoy his poems even if you don't "get" them.)
Didn't Eliot himself address that last bit? Something about it being possible to apprehend a poem before actually understanding it?
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Scott R
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Dante-- sei pazzo.

[Razz]

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TomDavidson
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"I've noticed a tendency for your poetry to sound (or at least look) like song lyrics; any of them put to music?"

One of my friends used to play bass in the background when I was reading poetry aloud in coffeehouses (*cringes self-consciously*), but I've only set ONE poem to music in my life -- not least because I believe pop music killed the poet, insofar as any aspiring poet who could play a guitar became a rockstar instead. [Smile]

This is the one that came with music (quite appropriately, too):

The Newborn Baby Boogie
I got my diaper and my bottle
and I'm learning how to toddle away;
I can gurgle sixteen letters
and my bladder's getting better each day;
I got a brand new fuzzy teddy and
when we snuggle up in bed we both say,
every day:

Oh, baby
(ooh aby daby) (gooh aby daby) (goo goo),
we do the newborn baby boogie.
(goo goo) (gooh) (gooh)
I still got twenty years until the varsity drag,
but for now I get the spotlight with a cool crying jag.
(ooh ooh aby daby) (gooh aby daby) (goo goo)
We do the newborn baby boogie.
(goo goo) (gooh) (gooh)
I got all my fingers and I got all my toes,
and I got some things I can't use yet but I'll figure out those.

I got a woman here who feeds me
and who says she really needs me around;
I got a room with cool wallpaper
of rhinoceri and capering clowns --
but there's simply nothing finer
than this catchy forty-liner I sing:
I may not know how to speak yet,
but you've got to take a peek at how I swing.
Wow, I swing. Take it, Teddy.

(Improv. sax solo: lots of waah-waah)

And I tell ya, baby
(ooh aby daby) (gooh aby daby) (goo goo),
I do the newborn baby boogie.
(goo goo) (wooh) (gooh)
If you see me standing up, please just don't knock me down;
I'm getting old enough now to be getting around.
There's a flat stretch of floor there, and nowhere to fall --
and I sure as hell ain't gonna wait to learn how to crawl.
(waaaah--goo aby daby) (gooh aby daby) (goo goo)
I do the newborn baby boogie.
(goo goo) (gooh) (gooh)
I simply got no reason to be singing da blues
'til I gotta go to preschool and start tying my shoes.

(Improv. to end)

Woah, Mama, don't you burp me now.

[ June 18, 2003, 02:01 PM: Message edited by: TomDavidson ]

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sarfa
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thanks Tom, I tend to be overly critical of myself, so when something goes wrong, I assume there is something wrong with me and get all broody and sullen, and that is usually where my poetry comes from. Your poem seems to come more from frustration and yearning, and your use of repeatition enforces that well. The two different approaches may tell quite about about the differences in our two personalities and how we cope with pain, but then again, maybe not and they're just some silly little poems [Wink]
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Scott R
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Tom-- you and babies. . . what is up with you recently?
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TomDavidson
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*grin* That's a poem from my senior year of high school. [Smile] But Christy and I have been talking. *laugh*
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Scott R
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Talk is cheap. [Wink]

Erghhh.

Don't want to think about this too much. . .

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T_Smith
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Is it too much to ask,
For my brain to silence?
To sleep just a bit?
My body would enjoy it, I'm sure.
Its not a difficult task,
It doesn't need violence,
But I'll have a fit
If I don't get sleep true and pure.

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TomDavidson
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Here's a hastily-written poem for my mother, who's livid that her Mother's Day card didn't arrive:

Appointed Rounds
An Apology for Undelivered Mail


I like to think there is a young man
in Guatemala, or maybe Spain,
who has for years been receiving mail
in a language he does not understand,
and – impressed by the paper, and the
bold handwriting on the mangled envelopes –
has incorporated them into a thousand
pieces of paper-mache, his masterworks:
donkey pińatas and brightly-painted bowls,
Icarus gliders and reproductions of Rodin
and other great artists this young man
has always admired, and by whose names
he is determined to see his own someday.
He hopes.

There is a young girl nearly starving in Tibet –
her father killed in riots by the Chinese occupation –
who tiptoes out onto a perilous ledge
every Sunday at three o’clock. And,
as she waits, a single yellowed envelope
flutters down, its sides stained and bulging.
Sometimes she opens it, shaking out
sparkly confetti or a fading picture,
and traces with her fingers the lines of text,
looping and curling each “o” and “a” and
marveling at the foreign shapes; there
is little beauty in these blocky letters, but
perhaps they are still more beautiful for that.
She brings them home, these letters,
and lays them in the fire that keeps her mother,
sick in bed these last five years,
from shivering and coughing in her sleep.
Someday, she thinks, a letter will come for her,
in words she understands, and it will tell her
why the world is the way it is, and what to do about it.
She hopes.

I have sent a hundred letters. A thousand.
May as well say a million, although the cost
of stamps alone would bankrupt me, if so.
The people who wait for them –
bill collectors, anxious lovers, friends
and family and state and federal governments –
cry out, sometimes, in the face of cruelty.
They wait to be touched, to be reassured,
to be paid or pandered or informed. To
know that I am tied to them by the threads
of the United States Postal Service, and
the occasional private carrier. But things
do not always arrive. As I said, cruelty; still,
they hope.

And I could send them certified,
and I could type the addresses,
and I could find the hunchbacked man
who sits in the darkness of a Midwest dispatch
to pluck out the mail with my address on it
and stick it in a random bin, bound for
Tibet, or Spain, or Guatemala,
and ask him to please stop doing it.
I hope.

But I like to think that there must be a higher purpose,
that things go missing only so that they’ll be found;
and maybe in a village tucked up in the Himalayas,
someone’s grateful someone’s straying far from his appointed rounds.

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ae
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It may have been hastily-written, but it's also rather good, and could be really good with a little work. The last stanza falls flat on its face, though, particularly the very last line.
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Godric
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Heh... I was just going through a bunch of old stuff on my computer and I ran across this little gem. I wrote this after I had my heart broken for the first time. It's really, really awful, but it does have a couple individual lines and word combinations I enjoy and I have a sentimental attachment to it, of sorts. Anyway, here it is, Another Beautiful Love Story.

It was just another beautiful love story
Another Romeo and Juliet with a tragic end
Another Bonnie and Clyde with nothin' but dead left behind
But that's just life 'round here

And when they say that time heals all wounds
I don't believe them, it just dulls the pain
And all the flattery in the world doesn't make up for a broken heart
And a few scattered dreams

With our fragile hearts plastered on our sleeves
We say with conviction that we will survive
But it's just a matter of time until someone takes the knife to them
And big wheeles just grind on

Knowing all the answers just makes things worse
Just because answers can't replace your dreams
So damn the hypocrisy and damn the pride, just let me curl up and cry
Take me someplace I can hide

We're just a bunch of orphans of God
Lost out here under the stars of eternity
Lost with a bunch of kissers and killers and the lunatic fringe
Trying to make some sense out of this

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Scott R
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:bump:

If it's good enough for Bonduville, it's good enough for Potry!

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Scott R
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:bump again:

No poetry in Hatrack?

Can it be?

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ae
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Perhaps everyone's saving up their poetic goodness to send to me?

One can hope. . . .

[ July 17, 2003, 10:57 AM: Message edited by: ae ]

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Christy
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Done, I'm done! I've finally compiled all the poetry from these pages into word files per username. Is anyone interested in such a thing? I had thought about printing them out and compiling a Hatrack poets book of sorts, but wasn't sure if the poets would be keen on this (and seeing the number of pages I have, perhaps my home printer wouldn't quite be up to the task of more than a few printings). Any suggestions?

I'm going to search the rest of hatrack now for other miscellaneous poetry to add.

Btw, I had posted a start to this compilation on fugu's site, but can no longer get to it. Does anyone know if its still around?

And for goodness sakes, where are all the poets? Don't let this lovely thread die!

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Ryuko
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Scott R- I love Robert Frost, and was somewhat sad I forgot to mention him in my Landmark post. But since I feel ill at ease about editing it, I'll just put what I would have said about him here, "I love Robert Frost because he says the things that I would say about the world, only more beautifully."

And here's a little Robert Frost Homage poem. [Wink]

Waiting for my Ride on a Windy Afternoon.
(A little homage to Robert Frost)

The wind outside is bitter cold,
I don’t know what would make it bold
enough to challenge such as I,
one who is cast from a frozen mold.

But still I freeze, and wonder why,
as icy breath falls from the sky.
And then I lean upon a pole,
as folks in cars are driving by.

I frown and squirm and am, in whole,
A miserably cold Scandinavian soul.
The passers honk and sometimes jeer,
I remain silent in my frozen role.

Miserable, I move to the pole’s rear,
And then around the pole I peer,
And see a van that’s drawing near.
I smile and wave without fear
Oh, good, I’m free, my ride is here!

(just for fun, is all)

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TomDavidson
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*bump*
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Annie
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Thanks for the bump, Tom.

How did I miss those poems, Scott? Those were priceless! I especially like Creep in the Bathtub - such a childish quality, with a little Poe and Baudelaire and Edward Gorey, all to a 1980's rhythm. Love it - keep it up.

Here are some of my more recent ones:

Elastic Skin

Occasional Tuesdays I come home
And put on my elastic skin.

When I'm falling out,
My parts falling out,
My head falling out,
My soul falling out,
It holds them in.

I am suspended from infinitely high
Cold cavern ceilings.

I pull out straps,
Straps,
Perhaps
A web of
Straps
Will hold me in.

Horsemen

I always dreamed of horses;
black, white, red, pale.

I always hid from horsemen,
whores, and dragons.

I cried in terror at the specters
that appeared outside my window
in the darkest winter stirrings
when the beast inhaled my sleep.

I never thought to look around,
to doubt the horses in my kitchen.

I never thought to see the horsemen
sleeping in my den.

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Scott R
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Thank you, annie.

You are a mizzle if ever there was one.

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Ryan Hart
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This one is a sonnet.

Psalm of Vengence

How do I loathe thee,
Let me count the ways.
All of the times you betrayed me,
Cursing me all of your days.

Every time I saw you with her,
Every time you held her hand
The world around me withered
My garden a barren land

Woe for you Uriah
Woe for you must fall
Let Bathsheba cry for you will die and
Vengence is mine in all

Now Uriah’s ever sleeping now the deed is done
And only slightly tainted is the prize that I have won

Holy Death

Holy Death come to this place
And free me from this futile chase
Help me Lord by thy good grace
Bring me Lord to see thy face

Now I lay me down to sleep
I pray the Lord I don't wake up
Bring me where I no more may weep
Where angels come and fill my cup

But I am here and You are there
Do You hear what I say?
You who haven't and ne'er will err
Please kill me where I lay.

Now I lay me down to sleep
I pray the Lord I don't wake up
Free me from this futile chase
Of perfection unattainable

The Knell

Listen fast and hear the knell
The knell that calls a soul to hell
Listen fast and listen well
Hear echoes in the dell

Death is coming ride away
Fly and live another day
Hide in the ocean midst the spray
Let not devils drag you away

Listen and hear and fly away
Yet know that you will die today

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:Locke
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Untitled IV

THEY SHOOK HIS BODY from between the cracks,
That pierced the bitter land across its waste.
His eulogy cut short; they threw him in a sack,
And carried his body away to hell.
They laughed and laughed and laughed.

I

THE DEAD MAN PULLED his blackened lips from teeth,
That seemed to be dark tombstones in a smile,
He cried out for relief, and I stood by,
He begged me, pleaded as I watched in horror
With eyes downcast; I heard him screaming all the while.
There were no eyes in all the world for him to see.
The sun had burned them from his lids,
The vultures taken them as toll.

No man crosses my desert.
No man may pass.
This is the place where I will die.

II

THE END OF THE EARTH is two miles away,
To the left. I have been there, on sunny days,
And rainy days, and foggy days through mist.
Across the sand I came, from the dream lands.
Over hills and fields and valleys,
Across mountains and through rivers I came,
To the end of the world; THE END,
All I found there was a box
With a child's corpse inside.

It said "BEGINNING" on the box;
It was a cruel joke.
It was then that I wished to die.

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asQmh
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My great-granddad, the only granddad I've known, died earlier this month. I'd written this toward the end, when the illness was its worst and while we were reading the Book of Job. It's a sort of pastiche, cuts of verses culled from the NRSV, and I can't get the lines to transfer right, but here it is.

[In Memory of H. E. Grimes, Sr.]

A Psalm of Job:
Bear with me while I speak,
and after I have spoken, mock on


Yet if I speak, my pain is not relieved;
and if I refrain, it does not go away

But I desire to speak to the Almighty
and to argue my case with God.

So man wastes away like something rotten,
like a garment eaten by moths.

My spirit is broken:

'God stores up a man's punishment for his sons.'
Let him repay the man himself, so that he will know it!
Let his own eyes see his destruction;

when I think of all this, I fear him.
God has made my heart faint;
the Almighty has terrified me.

The groans of the dying rise from the city,
and the souls of the wounded cry out for help.

Death is naked before God,
who has made me taste bitterness of soul -
the breath of God in my nostrils

'The fear of the Lord- that is wisdom'

[ September 26, 2003, 09:32 PM: Message edited by: asQmh ]

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T_Smith
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Chain and leash around my head,
Plugged into a line of boredom
Talking to parrots,
Repeating a pointless process
Of signing people up over the phone
For something they don't want.
Someone wants AOL,
No credit card required,
But give it to me anyway,
Phone bill preferred
Will it go through?
No.
Try again?
Nothing.
Ineligable.
I go back to talking to parrots.

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:Locke
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*ahem* You're allowed to critique here, too, people.
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Zalmoxis
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Steamed Reverie
(version 2)

With my hands treading water
I have shown you.
With my cracked lips smoothed by indecision
I tried to make you feel.
With my slavish throat
I heard your gurgling reverie
And now I point it all out.

That there is your plate glass profits
cutting away deadened wood.

And that there is inflated rice
smoldering in the charcoal wet fields.
That there is the harvester's cry
when the winnowed stalks snap at his face.
And that there is the dragon's breath
misting its way into your paralyzed gold.

That there is the image of jackrabbit emotion
faded onto gray.

And that there is the desert prophet
eating honeyed shreds of filed documents.
And that there is the brazen swallow
plucked from the gripping furnace.
And that there is the raised blistered hand
swearing it has no need of salve.

And those are your glycerin manners.
And these are your glossy apricot ways.

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Annie
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That's totally cool, Zalmoxis. I like the inflated rice and glycerin manners.

Very chic.

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Annie
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Sorry, a little shameless self-promotion, but I felt I needed to immortalize this here:

The boy was selling kosher pickles,
Trading passersby for nickles.
I thought he was rather cute
In his brine-encrusted suit.

I asked him for the deepest one,
And kissed him when his work was done.
His face blushed red from chin to tips,
How salty were his kosher lips!

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Zalmoxis
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I just want to point out that my poem above (which was written in 1995) prophesied Enron et. al. with stunning precision (or at least as precise as you're going to get with a poem filled with lazy, convoluted imagery).
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Brinestone
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A little preachy, but why not?

Dog breath in the face of the dreamer—
Awake! There is life to be lived—
Cannot convince him that the day is worth standing for.

Ah, but the sun! cries the frantic tail of Dog
As the dreamer pulls folds of fabric round his cheeks
And shuts his eyes to the eager rays scaling his windowsill.

While Dog’s nose lifts to the scent of bacon frying,
The dreamer empties his cares into unconsciousness,
The wasted morning as pricey as the yacht he sees with shut eyelids.

Annie, I love your poetry. [Smile]

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Annie
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Ruth, I'm trying to like that poem even though I dislike dogs, and I think I'm succeeding!

I know this may be a little obscure, but I know that some of you are Frenchier than me and may be able to give me some thoughts on the sonnet I have to write for my French lit class. Here's what I have so far:

****************************

La Cuisine

Tu apparaissais en cherchant un goűt de lait,
La femme qui cuisinait t’a reçu, t’a plu
Chaque jour tu te couchais sur ma table nue
Chaque jour dans ma cuisine je te langeais.

Je versais tout, tu as bu, tu as mastiqué
Tes mots, tu as mâché bien les miens sur le plat
Si chaud, comme le pain et comme l’odorat
Comme l’haleine que nous partageons, piquée.

J’ai choisi avec soin les fruits de chuchoter
Dans tes oreilles et sur ton sein, j’étais nourrice
Tu as trouvé le meilleur feu dans ma matrice
Tu étais lui dont mon four était ŕ côté.

Mon enfant, homme, dîneur : mange, mange-les.
Donne-moi tes parties, et je vais les męler.

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TomDavidson
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Annie, have you noticed that many of your poems, obliquely or directly, are in some way about the symbolic (carnal) importance of food?

[ October 13, 2003, 12:33 AM: Message edited by: TomDavidson ]

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Annie
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Freaky, isn't it? Read all about the theories that inspired this one here.

I'm all about carnal implications of food.

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TomDavidson
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It's worth noting that she's wrong about culture, though. Lots of tools, transportation devices, military hardware, and hunting-related art have also survived. [Smile]
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Annie
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But it's mostly kitchen stuff. The majority.
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Rappin' Ronnie Reagan
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a light in the faraway distance
a train behind me
walls to the left and right
the only way to go is forward
and the only way to think is ahead
i can't go back
i'm scared to go forward
on the ceiling there is an opening
can i reach it?
no

i wish i was a poet
then i could turn emotions into words
feelings into song
i wish i was a writer
then i could weave a story with meaning
and tell the world someone's life
i wish i was a filmmaker
then i could unite song and speech
and cause someone to realize who they are

through a dark tunnel i crawl
never knowing if it will end
the events around me swirl
into an undecipherable sphere
shadows loom over me and
trap me in their spidery arms

red blends into the orange
and brown blends into the white
it's all the same to me
it compresses my imagination
and hinders my sight
if i had a ladder
i could go out the window
but there's not one around
i can escape in my mind
but can only go so far
somewhere in the world
there's someone thinking the same thing
maybe we can find each other
and escape to somewhere
we can be at peace

i only seem to be able to write depressing poetry.

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pepperuda
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As I lay in bed reflecting
on a night without a fear,
I am startled into consciousness
by a tickling in my ear.
I gently press the offending one
to rub the itch away,
then jump and scream and hop and howl
like a wretch on her doom day.
For a gibber-gabbling has started now
in an angry, alien tongue.
And a frantic, squirming journey
to my brain has just begun.
"Out, Out!", I scream in terror
at the squiggling in my head,
then flail and thrash and beat about
with a desperate pound of dread.
When all at once the beast plops out,
and flops onto the floor.
It's an inch-long hairy centipede,
and it wriggles under my door.

I stop and think for just a moment
about the life that centipede has led,
and the terrible mistake he must have made
in thinking that I am dead.
Or perhaps I have just kicked the bucket
in my bed while fast asleep,
and he is the first of many crawlers
my harvest come to reap.

"Oh, no you don't," I think to myself,
then run and grab a shoe.
Now he is a feast for another beast,
I think he knows it, too.

I just thought I'd share my morning:)

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katharina
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please, please, please tell me this is not based on a true story, pepper. [Eek!] [Eek!] [Eek!] [Eek!] [Eek!] [Eek!] [Eek!] [Eek!]
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pepperuda
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Yup! Tis true, way too true. I should put that on my list of the 101 worst ways to wake up in the morning.

By the way, Kat, how do you always manage to find my posts so quickly?

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TomDavidson
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Can I get really quick input on this one? It's a hasty poem I've written for a friend on the occasion of his marriage, and I'm looking for concrete advice on it:

Two newlyweds were hurrying to refinish their home
Ahead of winter weather and a second set of loans,
But it always seemed, no matter what, their work was never done;
No sooner would they patch a hole than find another one.
And he grew tired of hammering, and she got sick of grout –
So even as they fixed the house, each dreamed of moving out.
The day they put the plumbing in, it nearly came to blows
When he forgot to kill the main (so water overflowed
And wrecked the downstairs drywall two days before her mom
Had promised she’d be dropping by to see how far they’d come.)
But as they sat there steaming, sunlight flashed and lit her hair
In rivulets of cinnamon; she caught sight of his stare,
And smiled wryly back at him, amusement in her eyes,
Inviting him to lift her to her feet with a small sigh.

She wove her left hand’s fingers through the fingers of his right,
Then passed him down the pliers; she took up the putty knife.
Did it matter, the next morning, that the job took twice as long?
They may have built it slowly, but they slowly built it strong.

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Brinestone
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Tom, that's beautiful. I love it, and they will too. Mind if I print out a copy for myself?
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Zalmoxis
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quote:
looking for concrete advice
[Big Grin]
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jeniwren
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That's lovely, Tom. *prints off a copy* Don't change a thing.
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Zalmoxis
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It is quite lovely. The last two lines rock.

If there's one rough spot, it's here:

quote:
But as they sat there steaming, sunlight flashed and lit her hair
In rivulets of cinnamon; she caught sight of his stare,
And smiled wryly back at him, amusement in her eyes,
Inviting him to lift her to her feet with a small sigh

The flow and imagery is really going here until we hit the ;. It's not the stop that doesn't work (because this is a turning point) but rather I think that it's the monosyllabic words and the internal rhyme of 'caught sight.'

But maybe this is just bugging me, and I'm totally wrong.

I have no suggestion for fixing it at the moment.

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Scott R
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bumpety bump bump
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cyruseh
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maybe never knowing
----------------------

you're never gonna know
what could have been
and you're never gonna realize
what we may have done

i used to love you
but now im redefining
what that means

everything that was special
has been tossed to the ground
everything that was secret
has been forgotten

im sorry for my failures
maybe never knowing
turns in to never caring
----------------------------

OK. it's my first attempt at poetry in about 4 years. What do you think? crap?

[ December 22, 2003, 02:10 PM: Message edited by: cyruseh ]

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Papa Moose
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In honor of my newfound hope to find meaning in poetry (and my receipt of An Open Book), I'm bumping this, Orginal Potry, the oldest thread still on the forum -- approaching five years of age, and begun eight days after the birth of Hatrack UBB.

--Pop

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advice for robots
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*Raises a glass to the ghost of lukelmiller and to all lovers of orginal potry.*

I must admit, I have a hard time reading poetry, especially when it has a high degree of imagery or abstraction.

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Richard Berg
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I assume the limericks thread is purged? That's the only place you're likely to find my contributions.

Anyway, I was a bit curious to see Luke's name at the top of the forum, but not too surprised having seen the length and age of other threads you guys keep current. Then I clicked inside: holy moly does this bring back memories. As I got into choral music after my departure, the metaphor of the chorister's baton stayed with me -- but even Sr. Martindale's quip was shamelessly quoted at one sardonic moment. I suppose the most poignant observation for me is that enthusiastic newbies of the time like motu are just as dead (if not forgotten) as relics like IOhlander who had practically drifted away before the UBB. Maybe I'll write a poem about it.

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advice for robots
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As I said two years ago as Punchdrunk, reading through this thread is like looking back into the Depths of Time. Why is that?

[ February 17, 2004, 01:47 AM: Message edited by: advice for robots ]

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Nato
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I like that the first three posters on this thread have the member numbers 137, 138, and 139 respectively.

There once was a really long thread,
That nobody wanted dead,
Moose bumped it one day,
To the front page to stay,
And everyone went off to bed.

(Limericks and "Roses are Red" poems are about all I can do.)

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