posted
Wow. This is actually really encouraging to those of us who don't have a sale yet. Congratulations, once again. Out of curiousity, did you have all of these stories completed before the first sale? And were you able to mention the first sale in the queries for the second and third, or were they already out there? And finally, how many stories do you have completed to do the rounds? (I ask all of this because you have now become my model of success. )
Posts: 491 | Registered: Oct 2004
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All three of these stories were completed prior to the first sale and in fact, in this case they had all been submitted prior to the first sale meaning that I did *not* mention them in the cover letters for the other two.
At the moment, I still have 13...grrr....no 12 (I literally just got another rejection via e-mail.) stories out there. They are of varying lengths and topics and at this time, 3 are at pro markets while the other 9 have (for one reason or another) been sent out to semi-pro mags.
And now, I'm going to be perfectly honest with you for those who don't have short fiction sales and want some. There are two things that are true here: First, I have not sold my favorite short stories yet. Second, I have not sold to well-paying markets (although I refuse to submit to free markets...I will get paid). I tell you the latter because as excited as I am that I'm getting stories published, I've adjusted my goal according to my recent success. (Got to keep climbing that ladder) Now I've got an eye to my first professional or even high paying nearly professional market. These are correspondingly harder to sell to.
But if you want to sell a short story, the secret is to write them. Honestly, quantity counts more than quality in the short story market. Well, let's take a step back. The rejection I received just a few minutes ago says:
quote:Christine,
This was very well written, especially the stylized treatment of the narcoleptic lapses. Unfortunately, I'm going to pass on it; the ending just felt a little too familiar. There are a lot of stories out there that end with some variation of "it was just a dream/coma/delusion" and the sheer numbers of them make it hard to accept any of this type but the most surprising and exceptional. I wish you luck with this story and truly hope you'll send me more of your writing next reading period.
All Best,
Lon Prater
I almost never receive a rejection, even from professional markets, that don't say "well written but..." this is one of the buts. I guarantee, though, that editors don't invite you to resubmit to their markets unless they mean it. They see too much crap to want to encourage it.
So....when your writing starts to receive such feedback you're quality is just high enough that it's time to bring sheer quantity into play.
Write a story a week. Read through it once for errors. Submit it to the highest paying market first. Repeat. This is a formula I heard once that guarantees your first publication in a year. I didn't do it that way, but I know that jpeople do and it will work on two levels:
1. Quantity 2. Your quality either will improve by your fifty-second story or you were never meant to be a writer.
Now, if you actually want to use this method to improve I would recommend submitting some of these stories to critique groups BUT I would not recommend doing any major changes or rewrites to the stories you send them. Move on and use the knowledge for bigger and better things. Ideas are too cheap to linger on one for the rest of your life.
I finally realized that the same thing was at least partly true of novels. I was considering spending another year on the one I just finished and am now doing last-round edits on. I already spent a year on it. I decided I was nuts. Why? Because even if this concept could be better it won't be for me. The next novel can be better. I will, at least, be starting *fresher* and that's important.
BTW, I also have 9 graveyard stories. These are stories that I did send out but gave up on, a few probably too soon. I keep thinking I need to work on them but I won't. They're old news, dead and gone. One of them has a publisher interested in a rewrite and that's the only one I'll probably work on.
Oh, and I don't write a short story a week. I'm a novel writer at heart. Short stories, for me, are more for practice and for the hope (recently realized) that I could get published sooner than ten years from now.
That was a long and complicated answer to a simple question, wasn't it?
[This message has been edited by Christine (edited March 01, 2005).]
posted
I really like Quantum Muse. That's great, Christine!
You're also right about how the key to getting published is to, you know, write and submit. This year my main focus is on building up an inventory of stories (getting into the habit of writing all the time) and learning markets so that I'll know where to send stuff. I've only got a few stories out there waiting for acceptance/rejection but as the year progresses that number will get larger and larger.
I disagree absolutely and whole-heartedly with the sentiment that quantity is more important than quality, in any fiction world -- among them the short fiction one. Write an undeniably brilliant story, and only one, and you'll sell it. Write a million crappy stories, and you never will (at least to markets you can be proud of).
But I have read the most brilliant stories and seen market after market turn them away. One story, no matter how brilliant, is a crap shoot. A million mediocre stories (notice that I did say you have to reach a certain level a quality before this will work) will result in at least one sale you can be proud of. Trust me, the stuff in F&SF and Asimov's isn't that good.
posted
Ahh yes, we've had that discussion on Codex I believe. But now this is just going to devolve into what you think is brilliant being mediocre to me and vice versa.
edit: P.s. I did say undeniably... I built in a backdoor for my argument! hehe
[This message has been edited by Rahl22 (edited March 01, 2005).]
posted
Excellent advice, Christine. The only thing I'd add is that you don't have to write a story a week. It would be best if you did--it would be best if you write every day--but it is not require. Just write as much as you can.
I made a New Year's resolution to write a first draft every two weeks this year. I'm just finishing up the second story, which has taken me over four weeks. But with the limited time I have for writing, and the speed that I write, that is the best I can do right now. So quantity is good, but don't be disappointed if you can't produce as fast as others.
BTW, congratulations, Christine! Looking forward to your first sale to Asimovs!
posted
Thanks for the info, Christine. That was exactly what I was looking for.
And now, as you send out stories with the previous publication credits in the cover letters, maybe you can let me know how that affects your market success statistically. If you don't mind, that is.
posted
Nicely done. I enjoyed it. There seem to be some formatting problems though, surely their fault, not yours. Like semicolons before dialougue but after the first quotation marks as well as some random symbols in one of the paragraphs....
Posts: 36 | Registered: Mar 2005
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posted
That comes from cutting and pasting MS Word text into an HTML editor. Normally a copyeditor would catch that sort of thing.
Posts: 1621 | Registered: Apr 2002
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posted
GRRR...yeah, I noticed that. (After I posted the link.) I'm feeling a little embarassed as it's my story, but I promise they aren't there in my own copy. I wonder if I should mention those things to the editor? I just don't have much experience with this.
Posts: 3567 | Registered: May 2003
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posted
Good going, Christine. When you finish your 52nd story, will you share the results of your plan with us? I'm interested to see how this quantity/quality thing sorts out.
Posts: 497 | Registered: Jun 2004
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posted
Christine, I noticed when reading the submission guidelines and FAQ on QM's site that they specifically request stories to not be sent in Microsoft Word format, due to the formatting issues. Maybe that's what happened?
Posts: 818 | Registered: Aug 2004
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posted
Autumn, I am absolutely positive that is not what happened. If you keep reading, you will see that they have an on-line submission form that asks you to copy and paste a text version of the story in their editor window. I had forgotten, but your question prompted me to look into it further and I see that, indeed, that is how I submitted the story. I am now entirely unsure of what happened, even more so than before, since I submitted it plain text.
Posts: 3567 | Registered: May 2003
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