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Author Topic: Essay on the Origin of Creation
Telperion the Silver
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This is great! Thought I'd share it with you all. Taken from http://homepage.mac.com/cparada/GML/MythsCreation.html
quote:

Theogony and Cosmogony "Creation" means, in this context, Creation of the World, which is also called Cosmogony or Origin of the Universe (Cosmos). Cosmogony normally includes, not only an account of the origin of the world, but also a description of its physical qualities, declaring, for example, whether there is light or darkness in Cosmos, or of which parts it is formed. Likewise Theogony, which describes the Origin of the Gods, does not limit itself to give an account of their coming to being, but it also establishes their number and describes their nature, declaring, among many other things, whether they are good or evil, or whether they are stronger or weaker.


Cosmos created through Love and intercourse Cosmogony and Theogony cannot be completely separated because the myths have established that the different physical parts of the Cosmos are gods, saying, for example, that the Earth (Gaia) and Sky (Uranus) are at the same time physical realities and deities endowed with the kind of power and intelligence that is the exclusive attribute of the divine. For this reason, the Cosmos may be said to have been created by the gods, but not as the result of the work of constructors or demiurges, but through Love and intercourse. Primeval Chaos, which some have called a void and others have equalled with disorder, is a being capable of intercourse and procreation; likewise Tartarus, described by some as a gloomy place in the Underworld, being "as far distant from earth as earth is from the sky" [Hesiod, Theogony 720], has fathered several creatures.


Creation and Procreation Since Cosmos is not a lifeless stage where actors perform their deeds, but instead the stage and the actors at the same time; and since these actors are divinities, it may be asserted that the myths make no difference between Cosmogony and Theogony, or between the Cosmos and the gods. For the gods create new segments of Cosmos by consorting with each other, and these new segments, being gods, are both created and procreated. Consequently, the mythical accounts, no matter how much they might differ in their details, regard Creation and Procreation as one and the same thing. In this view "creation is the outcome of an encounter, and genesis is a product of interaction." [Arnold Toynbee, A Study of History.]


Night without starry Sky But if the different sections or gods are created through procreation, then there were times when some of them did not exist, since they are the children of those who came before them. So, for example, when Nyx (Night) appeared in the world, there was no starry sky by night, since there was no Sky (Uranus) at the moment, and the stars were yet to be born. Going thus back in the chain of Creation or Procreation, one should come to the ultimate ancestor, or as some have said afterwards, a first cause. Some have called this ancestor Chaos, whereas others have called him otherwise, or also pointed out several simultaneous ancestors; but in any case a beginning is found either in Chaos or in them.


Beginning or not Now, what is before that beginning remains unknown, for nobody has explained whence Chaos (or whoever else) came, and the poet only asserted:

"In truth at first Chaos came to be ..." [Hesiod, Theogony 116]

... without ever declaring how Chaos came to be. Some have found it an aberration to assume that Chaos came out of nothingness; for then Chaos, being the first, had nothing to come from and nowhere to go. This is why they concluded that no one of these things came first or second, but that they existed always.


No agreement These and many other cosmogonic and theogonic questions have been addressed, throughout the history of mankind, first by the myths, and later by philosophy, religion, and science. However, in spite of all extraordinary efforts and sometimes genial presentations of the subject, no general agreement has ever been reached. On the contrary: the legion of cosmogonies and theogonies has continually increased since the dawn of human civilization up to our days; and among the Greeks, as among other peoples belonging both to the past and to the present, there have circulated through time myths, beliefs, theories, and all kind of speculations concerning the origin of the world and the gods, and the nature of them all.


Theogony and Cosmogony separated An ingenious and rather successful device, to which both science and later religions have resorted to when addressing these issues, has been to separate Cosmogony from Theogony, and Creation from Procreation, making of the Cosmos just a stage where immortals and mortals may perform their deeds. In some later philosophical and religious views, the Cosmos is, except for those sections which are biologically alive, a lifeless scenery, either created by a demiurge or by a single God. Science, which has reached farther than any other discipline in systematically describing and explaining natural phenomena, is not seldom seen approaching the issue of the origin of Cosmos in our days with the help of pseudomythical images such as Superdensity or Big-Bang, which attempt to explain how the Cosmos evolved but not its coming to being. Likewise, expressions like "Long ago ..." or "Once upon a time ..." have been, on the ground of observations, rephrased by scientists and transformed into "Some two thousand million years ago", or similar.


Highest authorities disagree As a result, Existence itself has not been accounted for, and the highest authorities disagree so radically that anyone could suspect the unavoidable works of Discord. For in the course of history, some have said that there are many gods, and others that there is only one single God. Still others have said that there is neither gods nor any God at all. And concerning the universe, some have said that there is one, and others have declared that there are many. So, when it comes to this sort of question, only partial agreement is to be expected among mortals; and authorities do not only argue about the number of gods and universes, or whether they have come into being at a certain point, or whether they have existed eternally, but also about their nature. And so, for example, some have believed that the universe is a terrible place created and governed by some devil, whereas others have said that its constructor is good, the cosmos being his amazing work of art, or he being the Cosmos itself. And since these discussions are endless, mortals either turn to themselves, or else start debating the Soul, whether it is mortal or immortal, or whether there is a soul at all. And since no agreement is reached in this issue either, they then, eager to see tangible results, might take History as their supreme teacher and turn to matters of social, economical and political organization. For these structures and functions are believed to be easier to grasp than those of the universe, and consequently, they reason, their endeavours might yield visible results; and these are never underrated.


The first to describe the beginning Concerning the beginning, it has been discussed, not just the beginning itself, but also who was the first to describe it. Some have thought that Hesiod was the first to systematically expose the origin of the gods; but others have said that the first to compose a genealogy of the gods was Musaeus, who having been trained by Apollo and the MUSES, wrote songs and poems, uttered oracles, and besides could fly. Also Linus 1—son of the Muse Urania 2, either by Apollo, or by Hermes, or by Amphimarus (son of Poseidon)—is said to have composed a poem describing the creation of the world in which he declared that all things were originally together, until Mind set them in order. Also Orpheus is named among the first who concerned themselves with the origin of the gods and the creation of the world. But on the ground that he charged the gods with all human suffering, some have refused to give him any credit, saying that Orpheus was not killed by women but punished by Zeus, who slew him with his thunder. The evidence, they say, was the epitaph in Orpheus' tomb:

"Here have the Muses laid their minstrel true,
The Thracian Orpheus whom Zeus' thunder slew." [Diogenes Laertius 1.4.5]


Most humans think about it


In the same manner, some have said that certain ancient peoples—other than the Greeks—were the first to explain the origin of the world and the gods. So, for example, the Egyptians—who ignoring the true form of the divinities symbolically represented them in the shape of animals—were known for having declared that matter was the first principle, establishing that the four elements (fire, air, water, and earth) derived from it, and that all living species were produced after them. But the Egyptians considered the sun and the moon to be gods, and the universe as a sphere, both created and perishable. The stars, they said, were made of fire, and they believed that the moon is eclipsed when it falls into the earth's shadow, and that the soul survives death and is reborn. The Egyptians gave physical explanations to all other phenomena and so, for example, they believed that rain is caused by change in the atmosphere.



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Richard Berg
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I prefer this one:
quote:
God created only a single 24 hour day
rotation of Earth, while I have created
4 simultaneous 24 hour days within a
single rotation of Earth - therefore, I
am wiser than the word god, and all
word worshipers. All words are fictitious.


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Mike
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quote:
Until word is cornered, all math is fiction.
Yes, indeed. Yes, indeed.
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Jim-Me
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I have a headache. [Taunt]
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Mr.Funny
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Probably you are light-headed from inflating and deflating that red balloon while waggling your fingers.
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Telperion the Silver
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Headache!? Bah... [Wink]
I eat this stuff up for breakfast.
[Razz]

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Bokonon
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Jim-Me, that is because you are educated stupid. I will gove you $10,000 if you can disprove us.

-Bok

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Jim-Me
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If you can explain to me what I am supposed to disprove, I will do my best... but I have a red balloon in my mouth.
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Telperion the Silver
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Kinky.... [Wink]
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Jim-Me
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ouch...

I said "balloon", not "ball gag"...

never tried that, but it sounds fun...

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jebus202
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Not really. Odd at most.
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Dagonee
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Wow. We have an insane tree on our hands. Or at least a very confusing one. Run!

Dagonee

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ak
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I really like Tolkien's cosmogeny. A song, it was, rather than a word, by which the One brought forth the ten thousand myriad things.

Science's big bang idea is pretty nice, but I'm still thinking that it's only the origin of our little bubbleverse of material creation, and not hardly the beginning of everything. I believe we will discover clues soon that lead us to expand the cosmos by another factor of 100 billion soon. How many times this can continue to happen is anyone's guess. It seems like each time so far has come closer than the time before, on an accelerating schedule.

Digression: Lemme think. If you start with the planet earth... (I'm sure there were many of these upsizings of the current concept of what constitutes the whole of creation before that, but I don't know enough history to fill in. Someone else have a clue?) Then Copernicus was one, realizing that the Earth plus a few celestial spheres wasn't the whole story. That brought us the other planets in the solar system as other worlds. Next would come whoever realized that stars are suns, or that our sun is just another star, and that other solar systems would be possible around each star. Then comes the realization that our galaxy was not the whole universe, but only one of a number of "island universes" as they used to call them, in the cosmos. Then I guess there were clusters of galaxies, and clusters of clusters, superclusters, sheets, walls, etc. Not sure if they count as true expansions in the sense I mean. But at the very least we've gone 1. earth 2. solar system 3. galaxy 4. big bang. Step 5 doesn't take a long stretch of the imagination to speculate upon. There are already clues.

Anyway, the classification of cosmogonies is a cool idea. How many different ones are there? How many are truly different in concept and how many are variations on a theme (substituting song for word, e.g.)? If you had to invent for a fictional society a total novel cosmogeny, could you do it? What are the boundaries of our imagination along those lines? I have no idea about any of that. But it's really interesting, even if it turns out to be useless. And what thought, when it comes right down to it, ever turns out to be completely useless? [Smile]

[ June 17, 2004, 02:30 PM: Message edited by: ak ]

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Jim-Me
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I never knew that, ak, (not having read Tolkein outside the Hobbit and LotR) but C.S. Lewis seems to have lifted the idea for Narnia as well (see The Magician's Nephew...) thanks for the origin (if, indeed that's what it is) of that idea (which I have always liked).

[ June 17, 2004, 02:34 PM: Message edited by: Jim-Me ]

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Richard Berg
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The Silmarillion was published more than 20 years after The Magician's Nephew, though I'm not sure when it was written. I'm sure Tolkein and Lewis discussed songful creation more than once, in any case.
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ak
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It (the Silmarillion) was written first, Richard, long before LotR. It was begun when he was an undergraduate. CSL had heard all of it read in the early Inklings meetings, so I expect the idea originally came from JRRT. I think JRRT was a much much better writer than CSL, though. My favorite CSL stuff is his Christian apologetics writings, which is really great, I think. I never liked Narnia so much, though it is okay, but it's really too allegorical for my tastes. None of his fiction do I like all that much. It's okay but it sort of grinds axes and doesn't exist for its own sake, for the sake of the story, so I can't truly love it.

Tolkien is just way better. Also he was the one whose ideas were more influential on CSL than ever happened in the reverse direction. CSL mainly influenced Tolkien through enjoying his work tremendously and encouraging him to actually complete and publish it. [Smile]

[ June 18, 2004, 01:02 AM: Message edited by: ak ]

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Dagonee
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It was Tolkien's ideas on myth and paganism as reflection of God's true nature that helped Lewis overcome a major intellectual stumbling block in becoming Christian. Others were probably more influential on Lewis, but Tolkien was essential.

Tolkien's ideas on this subject are directly reflected in the Valaquenta.

Dagonee
Edit the whole idea on song as creation has got me speculating.

A song with words can carry more meaning than plain speech. If you've ever read Godel, Escher, Bach, he talks about self-reference being the key to consciousness. I don't necessarily buy his theories entirely, but any amount of self-reference opens up the amount of information that can be contained in a signal by orders of magnitude.

Songs are one of the most self-referential forms of art and convey vast amounts of information, emotion, and substance. The author of GED demonstrated this when talking about Bach's fugues (or canon's, I can't remember).

So a song as creation could work because it's a way of physically describing infinte number of characteristics in a finite time (although this wouldn't work if the song was digitized [Smile] ).

OK, now I'm just rambling. But it all seemed interesting when I thought of it.

Dagonee

[ June 18, 2004, 08:26 AM: Message edited by: Dagonee ]

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Telperion the Silver
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Long may the Thrones of the Valar endure...
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Jim-Me
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Dag,

Unless, of course, the Universe is discrete and finite (as a friend of mine strongly believes).

Also, it's Fugues.

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Telperion the Silver
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Tolkien actually started writing the Silmarillion (specifically the Fall of the City of Gondolin) in the trenches of WWI.

To add to the CSL point...Tolkien was instrumental in CSL's conversion to religion (Catholic) and they were best friends for a long time, but it was that very religion that split them apart. Well....not really. Intellectually Tolkien did not like CSL's writting style, the much discussed allegory thing. Tolkien hated allegory, aka "the purposed domination of the author". CSL used almost nothing but allegory for Narnia...there is almost no way to see Narnia as anything but a retelling of the Christian story. Tolkien prefered applicability. You can apply Christian themes to Tolkien's works, but you can also apply much much more.

[ June 18, 2004, 08:33 AM: Message edited by: Telperion the Silver ]

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Dagonee
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A musician I'm not. Even thought I can play the opening riffs for both Aqualung and Sunshine of Your Love. Plus Satisfaction.

I don't think it's discrete. I think it's discrete with respect to quantum mechanics, just as people use to think it was discrete at the electron/proton/neutron level.

I think there's something below quantum mechanics, and something below that, and something below that. Turtles all the way down, indeed.

Of course, I've got no proof for any of this. But then I don't have anything invested in the belief, either. [Smile]

Dagonee

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Dagonee
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TtS: Tolkien was Catholic (and in fact his mother suffered terribly for choosing to convert to Catholicism during his childhood). Lewis joined the Anglican Church when he converted.

Dagonee

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Telperion the Silver
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ahhh... yes you're right.
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pooka
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I see The Lion, the Witch and the Wardrobe as highly allegorical. But The Last Battle seems more speculative. The Magician's Nephow perhaps as well, but I don't see the other four as more than tales that have rich psychological meaning.
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ak
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Telpie, what was he writing as an undergraduate? I know he wrote a lot of the Silm during the war but I thought he had actually begun earlier.

Luthien obviously came from Edith, and he fell in love with her when he was 18, didn't he? Then they couldn't write or have any contact for 3 years until he turned 21, because he was forbidden by his guardian. (Why didn't he like her, anyway? Was it because she was older than JRR?)

I'm not positive when he first began putting it on paper in anything like the form we now know it, but I do know that he started working on his myths and tales when he was very young.

Do you have more specific information about exactly when? I could go look it up in the letters and in the Book of Lost Tales I, but it's late and I'm too sleepy.

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ClaudiaTherese
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From the Online Free Dictionary, whose reliability I cannot vouch for, comes this:

quote:
The earliest drafts of The Silmarillion stories date back to as early as 1917, when Tolkien, a British officer stationed in France during the First World was laid up in a military field hospital with trench fever. At the time, he called his collection of nascent stories The Book of Lost Tales.

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