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Author Topic: The Blade and the Bow
Inkwell
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Just wanted to see how these first few lines sounded as an opener. Genre is fantasy. Target length is around 5,000 words. I'm trying to convey vivid imagery without going overboard as far as word usage is concerned. Let me know what you think.

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The Blade and the Bow

Golden leaves rustled in the throes of an autumn wind as they whipped along the forest floor, swirling around Rayn’s ankles. He closed his eyes and smiled as he listened to the sound, basking in the warmth of old memories. The rustle slowly grew into a thunderous hiss as the breeze became a gale, bending slender young trees with its sudden fury. The cascade of leaves caressed his face as they enveloped him…just as they had so many years ago. His eyes snapped open as the boyish grin left his face. The leaves’ vivid color had dulled, as if in fading light, though the sun still shone brightly through the gilded canopy above. It was like a cloud of darkness had settled around him and him alone. On this one small clearing in a forest vast and deep.

A whistling sound pierced the deliciously cool air as the wind died. It seethed toward him at an impossible speed, rising to a shriek that shattered the peace of the golden wood. Rayn’s face was a mask of stone as his most favorite memory vanished with the pleasant breeze. A gloved hand dropped without thought to the hilt of his sword, which sprang free of its own volition. Almost eagerly.
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Inkwell
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"The difference between a writer and someone who says they want to write is merely the width of a postage stamp."
-Anonymous


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wbriggs
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I like that I get what's happening, physically, here. I'm still not really hooked, mostly because I don't know what's happening emotionally, beyond fear. Is he afraid the way I'd be, that a tornado is about to hit? Or is he afraid because it might be supernatural, but he's never encountered anything supernatural before and doesn't know what to do? Or is he a blase superhero, thinking, what dastardly villain is attacking me? You could clear this up and make the story better, I think.

Nit-picking, with [deletions] and ADDITIONS:

--

Golden leaves rustled in the throes of an autumn wind as they whipped along the forest floor, swirling around Rayn’s ankles. [MY IMMEDIATE THOUGHT IS THAT THIS IS A TYPO FOR "RYAN." OK, IT'S NOT. MAYBE "RANE"?] He closed his eyes and smiled as he listened to the sound, basking in the warmth of old memories. [I'D SKIP THE MEMORY REFERENCE, SINCE YOU AREN'T TELLING US WHAT THE MEMORIES ARE -- AND I'M GLAD: IT'S TOO EARLY FOR A FLASHBACK.] The rustle slowly grew into a thunderous hiss as the breeze became a gale, bending slender young trees with its sudden fury. The cascade of leaves caressed [SLAPPED?] his face as they enveloped him…just as they had so many years ago. [I'D SKIP THE MEMORY REFERENCE, SINCE WE DON'T KNOW WHAT IT IS.] His eyes [snapped open] WIDENED [THEY WERE PROBABLY ALREADY OPEN] as [AND?] the boyish grin left his face. The leaves’ vivid color had dulled, as if in fading light, though the sun still shone brightly through the gilded canopy above. It was [like] AS IF a cloud of darkness had settled around him [and him alone. On] IN this one small clearing in a forest vast and deep. [I DON'T THINK YOU NEED THE EMPHASIS ON "SMALL CLEARING" THAT A SENTENCE FRAGMENT GIVES HERE.]

A whistling sound pierced the deliciously cool air as the wind died. It seethed [SEETHE MEANS "BOIL"; I CAN'T PICTURE THIS] toward him at [an impossible] HIGH speed, rising to a shriek that shattered the peace of the golden wood. Rayn’s face was a mask of stone as his most favorite memory vanished with the pleasant breeze. [AGAIN, WE DON'T KNOW THE MEMORY, SO IT'S JUST TEASING US TO REFERENCE IT!] [I NOTICE YOU HAVE 2 SENTENCES IN 2 PARAGRAPHS THAT USE "AS" IN THE CONSTRUCTION. I THINK THE REASON I DON'T LIKE THIS IS THAT WE DON'T REALLY CARE THAT RAYN'S FACE IS STONY *WHILE* HIS MEMORY VANISHES; "AS" MAY NOT BE THE BEST WORD] [SINCE THIS IS FANTASY, I RECOMMEND AGAINST "RAYN'S FACE WAS A MASK OF STONE" -- AT FIRST, I WONDER IF YOU MEAN THIS LITERALLY!] A gloved hand [WHOSE?] dropped without thought to the hilt of his sword, which sprang free of its own volition. [I'M NOT SURE IF THIS IS METAPHOR, OF IF IT'S A MAGIC SWORD.] Almost eagerly.

--

OK, those are nits, but they're worth picking, I think.

[This message has been edited by wbriggs (edited August 14, 2005).]

[This message has been edited by wbriggs (edited August 14, 2005).]


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Swimming Bird
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This feel like it was too "written." Do you know what I mean by that? The style you chose to write this piece is too pretty for its own good. I tried to get into the story but got pulled out line after line by all the pretty metephores and smilies and word choices you use. It reminded me that this is just a story some guy wrote and not actually happening.

Deliviously percing cool air? Seething toward somebody? Rustled in the throes? Thunderous hiss?

It's just too much. Other writers are very well capable of sounding arty and such like this in their work, but they purposly choose not to for the sake of their story. As it stands now, this reads for like an effort to impress rather than tell a story.


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Mystic
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It did feel somewhat overdescribed, but I was definitely hooked. I assumed this was a point when a troubled person is escaping reality for a moment, but then torn back by an enemy, and this really worked for me because I could see everything going on.
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Survivor
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Overboard. Waaaay overboard.
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Mechwarrior
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Ibid. Ibid. Ibid.
Definitely an artistically written piece but as an opener it threw me out rather than pulled me in. All we see is a guy standing in the forest, maybe being shot at. I'd move an action sequence in the story to the top.

As for the pretty words, think of it this way: If you describe even the most mundane of things in poetic simile and metaphor how are you going to describe what's really important to the story so the reader understands that it's important? That's one of the toughest conundrums of being a writer. You learn how to put a large vocabulary of words together only to be forced to write simply.


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BuffySquirrel
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Well, no, Rayn's eyes weren't open, as it states in the narrative that he closed them...

I liked the idea of the darkness falling only on Rayn, and thought the opening could have done more with that idea, and perhaps less of telling us that the leaves are golden.

I think perhaps you need to examine the words and phrases you are using. For example, "throes". Did you really mean to write 'Golden leaves rustled in the violent pangs of anguish of an autumn wind'?

I'm also not convinced that something can seethe 'toward' someone.

There's no harm in using these terms, but there is harm in using them without truly understanding them. Always write with your dictionary to hand, and always check the meanings of the words you use. It's the things we think we know that get us into trouble .

I think there's potential in this piece, and the use of contrast is effective, but at the moment it is, as others have suggested, a tad overwritten. Make every word justify its presence.


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Inkwell
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After attempting to rewrite the piece twice, I realized that nothing was really coming to me. My plot notes were no help, and fresh ideas seemed to be stuck at some midpoint between my brain and my fingers. Like an engine that's siezed. I think I'm just going to drop this story and start over, after I've let the general concept percolate a little. Thanks for the comments, folks. You've confirmed what I initially suspected.

Inkwell
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"The difference between a writer and someone who says they want to write is merely the width of a postage stamp."
-Anonymous


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Mystic
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Now don't go and do that, Inkwell.
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Inkwell
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^^^
Oh, the story's not dead...not yet. I just think it needs to rattle around a little more in my head before I plunk it down on paper. Something tells me I pulled this one out of the oven a little too early.


Inkwell
-----------------
"The difference between a writer and someone who says they want to write is merely the width of a postage stamp."
-Anonymous


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