posted
I'm not one to really set up detailed setting---not my style. But I do see the need for it and I have a vivid picture in my head of the place I'm setting up.
Now the problem I'm running into is that I think I'm describing too much, but I don't want to wait until a particualr room or feature comes up to describe it, and I kinda like opening with a detailed description of the building a major backdrop of the story.
So, if any wants to read a page or two of the opening chapter and give me some feedback I would be apprectiative...
Approx first 13 lines:
Baby Dolls Gentlemen’s Club was an upscale establishment, or as upscale as an establishment of that nature could be, located in Los Angeles. Despite being a topless club, it held it’s own with the two competing full nude club’s on the same street, as those businesses weren’t permitted by law to sell alcohol, and Baby Doll’s had the benefit of not one, but two bars. When faced with the choice of completely naked women and no alcohol, or mostly naked women and as much alcohol as one could afford, the latter usually prevailed.
While the obligatory black lighting and florescent pink neon lights were prevalent, Stan Eaton, the club’s owner and sole manager, made the conscious decision to go against the perceived image of “the seedy dive”. The club was spacious, clean, carpeted throughout, and all the seating was freshly upholstered without tears or holes hidden by duct tape.
The front doors opened into a small greeting area where ID’s were checked and cover charges were collected. It was a sparse room with only a hostess station, ATM, and a door marked, “PRIVATE” off to the side, which led to the backstage dressing area.
Through the double door entrance of the club proper, was the smaller of the two showrooms. An elevated stage up against a mirrored wall ran the length of the small room on the left hand side.
[This message has been edited by JOHN (edited July 08, 2004).]
posted
Well, I've read worse info-dumps in highly acclaimed published novels.
I thought this was pretty darn good and not only set the scene well but said something about Stan. And since the scene varied from the status quo (the bar not being your typical seedy dive) the description needed to be made.
I have one tiny nitpick: The use of the words 'prevailed' at the end of the first paragraph, and 'prevalent' in the first sentence of the second. They sound too similar used so close together. When I hit 'prevalent' I paused, certain I had just read it. I had, in a different form only 12 words previous. Change one.
I'm not generally one to go for this kind of theme--seedy dives, nude bars, etc. But I could take a look at a couple of pages for you.
posted
No fair. You edited while I was typing my comments. Hmm. Now let me see. Erm...
No. These two new paragraphs kinda bite after the first two. You took that step over the line between setting the scene and dumping useless information. Cut em. If this information is important to the story work it in more subtly later. If it isn't get rid of it.
posted
The last two paragraphs begin becomeing needless information to me. The first two, while not POV, had a bit of attitude, or expressed an attitude, that said something about the setting. The last two just felt like verbal blueprints. If this was an opening, I'd want to see a charater at least by the beginning of the third paragraph, and from your discussion, it sounds like Stan isn't the POV character, which could get a bit complicated, depending.
Posts: 652 | Registered: Feb 2002
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posted
"but I don't want to wait until a particualr room or feature comes up to describe it"
Honestly, I think this (not part of your story, part of your message to us) is the biggest problem with your description and your opening. Description becomes tedious when it is irrelevant, and you have just described a club with absolutely no context. If this is a short stroy, the sluh editor will have already nixed it. If this is a novel, I've honestly seen them start like this, but I don't think it's good.
You can use as much description as you want if you describe things at the point that they become meaningful to the story. All of a suddden, I need to know that "the front doors opened into a small greeting area..." then it becomes interesting. Until then, not so much.
That said, I could even see you keeping the first two paragraphs. It's the last two that killed it. All of a sudden I wasn't reading a story, I was awtching a camera float through the front doors of the bar and scan every angle. Be careful to write a story, not try to describe a movie. You can't write a movie as well as a camear can show it, but as a writer, there are strengths that the camera doesn't have, like getting into a character's head and showing us things through their eyes. What is Stan doing? What is he thinking? What does he want?
I didn't mean to get so wordy, actually. Your style and language is good and you've got promise, at least if these opening lines are any clue. Good luck.
posted
Yep, the last two need to go... or you need to walk Stan through the doors and room as you describe them. One of the two... or introduce them later.
Sidebar: Having been in the military, I was contractually obligated [read as: dragged by young Marines who needed a ride out in town] to visit nearly every type of men's establishment available. If I never see another, I'd be a happy man.
posted
Wow! A lot hate for the last two paragraphs You think that’s bad, you’d REALLY hate the two pages that follow.
Well, yes, I do think cinematically, and I did envision moving shot through the club, and eventually into the stage entrance of the dressing room. I knew it was a bit much which is why I asked to make sure. Guess I’ll have to rethink it.
HSO,
It’s funny you mention you were a Marine. The club is based off of the layout to Driftwood. Don’t know if you heard of it by it’s in Jacksonville, NC---right outside Camp LeJune.
posted
I was stationed at New River Air Station for 3 years in Jax, NC, and I'm pretty sure I've been to that club, but the name(s) escape me. It's been 11 years since I separated and moved away (one month living out of my car, and then off to Greensboro, and then finally out of NC altogether -- I miss Wilmington quite a bit). So, yeah, that [Jacksonville strip clubs] was probably what I was thinking of... *shudders at the irony*
Back to your story... remember that you want people to read your story -- they have to be involved in it; feel something for a character and his plight, so to speak. Unless they are a space planner or architect, they aren't going to be interested in paragraph after paragraph of scenery detail. Best to describe things as you get to them, or at least tell a story of why the building was designed as such -- make it interesting... add an anecdote or two... But make it relevant to Stan.
posted
I pretty much knew it was crap which was why I’m so easy about it. My friend (who also writes) has been involved in this story since it’s inception in 1996, read the first sentence and threw back at me and said, “Rewrite it.”
I was trying to lay everything out so I wouldn’t have to go back and explain it later. I have a pretty firm grasp on it now as I can pretty much go back to the way I originally had it…
In case anyone’s interested…
Ginger Davenport’s head throbbed in rhythm with Def Leppard’s “Pour Some Sugar on Me” which was emanating from the nearly twenty speakers scattered throughout Baby Dolls Gentlemen’s Club. The song would no doubt be stuck in her head for the rest of the night.
She sat in front of the mirror, trying to apply her make-up as quickly as possible. She was due on the main stage for her first set of the evening in eighteen minutes. It seemed that everything was broken down in three minute intervals in her line of work. Not helping her situation, was the fact she had just stepped through the door no more than a song and a half ago.
Her increasingly severe headache made it difficult to concentrate on anything but the loud, bass-filled music. She threw her mascara brush on the make-up table in disgust. “I wanna go home,” she mumbled to herself.
[This message has been edited by JOHN (edited July 09, 2004).]
posted
He didn't have a problem with the the one I posted immediately above. He liked that one. He didn't like the version of the opening I started the thread with. I don't know if it was the POV, but it didn't start with the character. Honestly, no cares about the club and as other posters pointed out it's not going to grab threaders attention much less an editor...
posted
Reading your two openings reminded me of something I read in the writing class. Dated Oct. 29, 1998, OSC posted a lesson titled Beginnings and he talked about developing a beginning and used his own experience writing Ender's Shadow to demonstrate.
Your two beginnings reminded me of it.
Anyways, I like the second one better too. It gets to the action of the character giving me someone to care about. As a woman I'm not that interested in reading about a gentleman's club but I am interested in reading about a person.
I'd love to read some more. E-mail's in my profile.