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Author Topic: Introduction paragraphs in first person
Exploding Monkey
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I normaly do not write in first person perspective, but for some reason I wanted to write this story like the protagonist is talking to the reader. This is a first draft of the introduction (short fiction). So, what works and what doesn't? This is the first time I have ever opened my writing for others to critique. Have at it:

It all began on that excessively warm night last spring with that first goddamn fortune cookie. I even remember exactly what was printed out on it despite not remembering the other fortunes in such detail. “You will find a greater love from a current friendship,” it said.
Can you remember what your last fortune cookie’s little slip said? Did you even bother to open it, or did you just leave it on that little tray that your check and dinner mints came on?
Of course you can’t remember what it said, nobody can. Those stupid little slips of so-called wisdom and advice are pure crap. They don’t mean a damn thing, and even if you can make it somehow apply to your life, they still don’t tell you anything you normally don’t already know. So even if you do read them you end up forgetting them just as quick.
I should have taken the mints and left the cookies behind.


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Beth
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I like it. I'd keep reading for a while.

I might grow tired of the narrator's attitude before long, though.

Are you looking for readers for the whole thing? Or just comments on this section?


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Exploding Monkey
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I am a little scared of posting full stories on any forums. I have little trust for people (it's just who I am), so work shopping is still a little scary for me. I am basically paranoid of thievery. (Please help show the shy and scared little monkey that the boogie man will not steal his ideas no matter how overused they are)

It's still a work in progress anyway though. Why do you feel you might grow tired of his speech? Maybe I need to back off of the cynicism and let him tell the story in a more straightforward manner after the intro?


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Beth
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ok, well. If what you're interested in is feedback on the entire piece, you'd probably tell us a little more about it - length and genre in particular will help people decide if they want to/can read. people who are interested in reading and commenting will volunteer to see the whole thing, and you would e-mail it to them - there is no posting of the whole thing on a forum.

as for theft - interesting. personally, I have more projects simmering than I can really write to my satisfaction - I'm not in the market for more ideas (now, if you could offer me the time to finish 'em all off, that I might be tempted to steal.) Most of the writers I know are in the same position. Nevertheless it is entirely your call - you are under no obligation to share your work with us! whatever you're comfortable with.

ok, then, the voice. The good thing is that it's very distinctive and real. But it's pretty cranky - if that's all there is, I might lose sympathy for the narrator. You'll have to give me a reason to care about him (he sounds like a guy) - it will take more than just a cranky voice to get through the story. Not so much back off the cynicism - I think keeping a strong distinctive voice is good- as show us that there's more to this guy than attitude.


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Exploding Monkey
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Yes, I felt it was a little too strong as well, I'm glad you said that. His tone dies down within the first three pages as he relays the events that led up to him being so upset over the fortunes.

I would call this speculative short fiction. The story is about a man who discovers his fortunes from the cookies at this restaurant are coming true. His first fortune is actually a good one (falling in love and marriage); the second gets him a better position in his job (but at the cost of his mentor's accidental death).

As things progress in a downward spiral he becomes more obsessed with learning his future to see if things brighten up. He becomes somewhat paranoid/schizophrenic as time progresses.

Each time he goes to this restaurant he notices he has the same waiter. He never mentions this to his wife (when she is there with him) assuming she notices the trend too.

The fortunes stop becoming predictions and start becoming suggestive. This leads to him murdering his wife.

In the end, he has changed places and is now trapped as the waiter in the restaurant serving the cookies with each meal. The previous waiter was a victim once just like him and had to find my protagonist and serve him the fortunes to escape.

Some details need working out still. How does this act help the current prisoner/waiter escape? Why does he choose the protagonist? Etc...


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Beth
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The waiter got a fortune cookie that pointed out the new guy to pass the curse on to?

Perhaps there's a mystical number - I'm not familiar with Chinese numerology, but there is undoubtedly a significant number - if the waiter can pass on X fortunes, the curse passes on.

Just off the top of my head. No doubt you can come up with something cleverer than that - sometimes the fastest way to see a good idea is to look at someone else's dorky ideas and say no, no, it's not like that at all, it's like this...

Sounds like a good story - best of luck with it. I'd be happy to read it when you're done, if you like.


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Ray
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I actually don't mind the voice at all. It reminds me of the narrator in "You Don't Know Me" by David Klass.

One thing: first paragraph, the character says that he remembers what his fortune cookie said, but then you interupt the story by talking about how nobody can remember what they've read out of a fortune cookie. Why not talk about how nobody can recall what their fortunes are, and then talk about how this became an exception.

I'd also like to read this when you're done.


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Exploding Monkey
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Good point. I'll keep that in mind when writing the second draft.
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wbriggs
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ALL CAPS for my comments, [] for things I think might be cut.

Overall, I'm happy, and would keep reading.


It all began on that [excessively warm] night last spring with that first goddamn fortune cookie. I [even] remember exactly what was printed [out] on it [despite not remembering the other fortunes in such detail]. “You will find a greater love from a current friendship,” it said. [PARAGRAPH]
Can you remember what your last fortune cookie’s little slip said? Did you even bother to open it, or did you just leave it on that little tray that your check and dinner mints came on?
Of course you can’t remember what it said, nobody can. [RUN-ON SENTENCE] Those stupid little slips of so-called wisdom and advice are pure crap. [They don’t mean a damn thing, and even if you can make it somehow apply to your life, they still don’t tell you anything you [normally] don’t already know. So even if you do read them you end up forgetting them just as quick.]
I should have taken the mints and left the cookies behind.


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Kathleen Dalton Woodbury
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You said:
quote:
I am a little scared of posting full stories on any forums.

That's good because we don't want you to post full stories here.

If someone offers to read more of your work than the 13 lines we ask you to limit your posts to, you have to email your work to them. You don't post it here.

But you don't have to email any of it to anyone if you don't want to.

Get to know the people here. Give feedback on other people's 13 lines. Read the feedback other people give on the 13 lines. You may be able to learn enough to help you with your own work just from the feedback others give to work here. And if you give feedback, too, you will learn even more.

You don't need to show anyone any of your own work to learn in a workshop.


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