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Author Topic: No Island Paradise - Summary
coralm
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I mentioned in my intro post that I have finished my first novel length work, but am currently stalled in the revision of the first draft. One problem that I have at the moment is that it's running long. I'm over 160k words right now. I know I have to carve out at least 40k (likely closer to 60k) and I really don't know where to start.

I decided that I would try to write up some simple summaries to help me focus since I'll need those for queries eventually anyway. I've got two paragraphs I wrote on my lunch break today, each done in a different style. The problem is that they sound so terribly cliche. I can't imagine that anyone would want to read the story based on them. I tried several different versions, but nothing helped. How can you summarize a novel at this high level without making it sound so boring?

I'll post them here and I think you'll get the idea of what the story is about at least. I'd like some advice on how to make them sound less formulaic.

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The cities are empty. Everyone that Madeline Dupont knows is dead. One of few survivors, she makes her way to a safe haven. Away from the dangers that infest her world she comes to terms with the terror and desolation. The world has changed and the survivors rebuild. Coming from the chaos outside, Cormorant Island is a utopia. Electricity has been restored. Food and water are easily obtained. The more Madeline learns about the island though, the more convinced she becomes that there is no such thing as paradise anymore.

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(This one is the sort of movie trailer version. I think it sounds less professional, but to me it seems more compelling than the first one.)

No Island Paradise is a 160,000 word thriller novel set in a post-apocalyptic near future. The story follows a doctor and a marine as a group of survivors attempt to rebuild after most of the world’s population dies. Not everyone who survives is someone that you would want to be trapped on an island with, even if that island is the last place on earth with working electricity and running water. And sometimes, the people who are working for the common good turn out to be the villains.


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PB&Jenny
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I'd be more than willing to help you, coralm. Send me a few choice chapters of what you'd like help with and I'd be glad to critique it to the best of my ability. Or you can send the whole thing to me if you wish.

PB


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MAP
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Hi Coralm,

Welcome!!

The problem with your summary, IMO, is that it is vague. Anytime something is too vague it ends up feeling cliche. It is the specific details that separate your story from a hundred other post-apocalyptic novels out there.

Here's a better idea of what I mean.

quote:
The cities are empty. Everyone that Madeline Dupont knows is dead. One of few survivors, she makes her way to a safe haven. Away from the dangers (vague, what dangers? zombies, aliens, nuclear fall out? that infest her world she comes to terms with the terror (vague again. What is the terror? What caused it? and desolation. The world has changed and the survivors rebuild (This whole sentence is meaningless. You already told us the world changed, and it is obvious the survivors need to rebuild. Your wasting valuable space here). Coming from the chaos outside (vague), Cormorant Island is a utopia. Electricity has been restored. Food and water are easily obtained. The more Madeline learns about the island though, the more convinced she becomes that there is no such thing as paradise anymore (This whole last statement is so vague. You leave me with no idea where the story is going. There are so many possible reasons to why the island is not a paradise. I think you need to be specific here.

I actually think the second one is better. I don't know why you think that one is unprofessional.

You compared your summary to a movie trailer, and I think that may be the problem here. You don't want your summary to read like a movie trailers. They can afford to be vague in their scripts because the visuals fill in the details. In writing a novel you don't have visuals, everything has to come from your words. Specific details help the reader see the story. You need them in this summary and in your novel.

You may want to read the back blurbs on books to see how published novels are summarized.

Hope this helps.


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coralm
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Thank you for the offer PB&Jenny! Let me work through the first revision and then I'll take you up on it.

Thanks for the advice MAP. I'm going to rework them with more specifics. The novel itself has tons of details, probably too many considering how bloated it is! I guess I was afraid of getting carried away with it in the summary. I was trying to keep it simple but I definitely think you are right and I went too far in that direction.


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coralm
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Ok, so I scrapped both of those and started over, offering more specifics and throwing in the main conflict. I think I was a afraid to give too many specifics for fear that I would send people running away at the thought of another zombie story when it really doesn't have much at all to do with zombies. I ended up pulling the first few lines from an info dump that I excised from my first chapter. Let's hear it for recycling! I like it much better now, I think it's headed in the right direction.

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The end of civilization can be summed up in one word: rabies. Most of the world’s human population is wiped out by a mutation of unknown origin. Unfortunately not all of the infected die. Packs of enraged survivors rove the otherwise desolate cities in search of something to appease their ravenous appetites. One of few uninfected survivors, Dr. Madeline Dupont makes her way to an isolated island that is far from the paradise it first seems. Cormorant Island is led by a group of individuals who assert their control with military force. Obsessed with the fact that humans are now a critically endangered species, they design misguided policies to direct the rebuilding effort. Clinging to her sense of dignity Madeline finds herself opposing the most powerful people left alive.


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Corky
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So the story isn't about how she gets to the island, or about how she finds out it isn't a paradise after all--it's about her rebellion against the (still unspecified) oppression of the leaders on the island?
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coralm
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That's the main story arc, yes. It begins with her arrival and her discovering what's happening on the island. Along the way she finds a few other reasons why it's not paradise, those are subplots. Should I get rid of the first few lines entirely? I considered that today but it seemed strange to me to skip right to what the end is now.

Lessons learned this week: I'm bad at summary.


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Brendan
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quote:
Lessons learned this week: I'm bad at summary.

No, no! It is not a judgment about your ability.

Lessons learned this week: Summary is different to blurb.

Getting a reader interested enough to read seems to be what you were attempting first up. That is a blurb, like what you see on the back cover (or on the slip). A blurb is usually a short setup, a teaser, but little past the first two or three chapters. As a blurb, I quite liked the first one that you wrote.

There are many types of summary, each for different purposes. But the purpose of the types of summary that you seem to want is to summarize everything that happened, and/or to summarize just the important things. As your purpose was to cut the number of words down, then the detailed summary should reflect what you actually wrote, so that you can see what you can cut out without destroying the story. So a chapter by chapter summary, maybe in dotpoint form, seems what you need. In addition, a "just the important story" summary can help. Then you can compare the two and see great swathes that can be cut out.

quote:
I think I was a afraid to give too many specifics for fear that I would send people running away at the thought of another zombie story when it really doesn't have much at all to do with zombies.

It seems your purpose is changing here, to allow others to know the summary. If it is for a publisher/editor, then a different summary to the dotpoint summary above would be needed. That summary should be prose, and it should show the major plot and character arc. And it should be told, not shown. The purpose for a publisher is to see whether they will get a story that meets their expectations of what a story should be, and some reason that it would sell. They are taking a risk, so they are looking for the author to minimize that risk by showing that the story does meet a ready market niche.

I wouldn't worry about the zombie element too much - if its a key part of the story then it meets a market niche and that is a plus to the publisher (albeit he might have several thousand of the same, which is a minus). If it is only part of the background, as it seems, then using other terms for the zombified people would prevent it getting put into that niche, and help the publisher identify the niche of readers that would enjoy the story. By the way, it sounds a bit like "28 Days Later".

[This message has been edited by Brendan (edited October 04, 2010).]


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coralm
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I think you're right Brendan, I started out wanting to do one thing and ended up doing something entirely different. Lack of focus may... what was I saying again?

It's not really at all like 28 Days Later, though I can see where you're drawing that parallel based on what I wrote above. You do see the zombies occasionally, but they aren't the villains here. They are more scenery than characters I'd say.

Trying to make what I wrote sound different and interesting in a couple of hundred words when it took me thousands to do it the first time is really tough. If you want the cutsie description that I gave my husband when he asked what I was doing with all my time: It's a science thriller set during a zombiepocalypse.

Maybe I'll abandon the blurb type summary for now and try the detailed summary first as you suggested. That should help me get rid of the extra and maybe in the process give me a better idea what to do for the more concise summaries.


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