posted
On a scale of 1-100 with one being depressingly sad, and 100 being sickeningly sweet, how happy do you like your endings? Are you the type who feels like the story isn't over until everyone's dead, or do you think everything should work out absolutely perfectly and end with a perky song and dance number? Personally, I like books and movies that end just on the happy side of 50, so the story is realistic, without being depressing. Your thoughts?
Posts: 1547 | Registered: Jan 2004
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posted
In my head, this is defined by the classic Edith Wharton/Jane Austen divide. Both authors have wit, insight into high society, social commentary, and plots driven by romantic entanglements. Jane Austen, however, always has a happy ending, and Edith Wharton has a realistic story with a sadly all-too-probable ending.
I love them both, but I believe in Edith Wharton’s stories more.
Posts: 26077 | Registered: Mar 2000
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posted
I think you're looking at it wrong. It's not a question of whether it is happy or sad - it is a question of whether it is realistic.
I think happier is better, so long as it is realistic - but dumb happy endings end up falling apart because they are unrealisticly set up to be happy.
The reverse is also possilbe: Look at many horror movies and you can see cheesy sad endings - endings that are unrealisticly set up to deliberately be very negative. They are just as cheesy as many happy endings are.
posted
Wow. A person that actually enjoy's Edith Wharton Im assuming you're not an 11th grade high school student
Posts: 2756 | Registered: Jul 2002
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posted
I like endings that provide reasonable and well-paced conclusions to the storylines in the book. Satisfactory resolution is usually on the happy side, I guess. Seeing as it's the resolution of the emotion more than resolution of the action that you're going for, you don't want to give the feeling that major emotional conflict is still going on.
Posts: 5957 | Registered: Oct 2001
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If it's a cheesy, romantic comedy/musical style story, then it should end happily.
If it's a book with a slightly higher intellectual value than that, then somewhere between 55-65, I would say. I agree... realistic is good, but too sad is not necessarily good. And not really realistic either.
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