posted
i'm planning on writing a story using a style i've used before...
the problem is that i've only ever used this style for short stories, and so the 'story-teller' device is only used twice, once in the beginning, and once at the end...
i am planning on trying to write a novel using this same device... in case you don't know what i'm talking about, a 'story-teller' device is where you use a party completely individual from the story to narrate it... a story-teller.
anyways, the only novels i have read using this device have been rather unsuccessful at maintaining my attention, and it's looking like my story may end up the same...
i guess what i'm really asking is, does anyone here have any experience with this device and could lend me some pointers? maybe tell me some books that they feel made good use of it?
posted
Well, the whole Alvin Maker series uses it well. As does the Series of Unfortunate events. The Great Gatsby, to a certain extent. I think part of the key to these is that the story-teller has some connection to the story, even if it's loose. I think when the story is more than something they've heard about, when there's a personal connection--I'm not saying that they are a player in the story--then a story-teller can help us experience the emotions of the moment by having an emotional response to the story himself.
Posts: 2022 | Registered: Jul 2003
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posted
I think Mary hit it on the nose the first time.
But also consider, if it's not working, just don't use it at all. If it's coming across as uninteresting to you, why do you still want to use this method?
posted
If it is important to you to use the story-teller device, then MaryRobinette hit the nail on the head. I would add that somewhere in the tale, probably at the end, the story-teller must also have an impact on the story.
For instance, a series of ghost tales narrated by the teller in such a manner that he/she seems to have some connection to those involved. Between the tales the narrator and a listener talk about them. During the course of the telling the listener begins to realize that something is not right, and at the end of the last tale confronts the narrator. The narrator's reply confirms the suspicion and sets the hook. "You're right. We did all die."
If it is not important, then Christine's advice also rings true. However, it must be important to you or you wouldn't have brought it up, no?
posted
I agree with everything so far. The only other thing that came to mind when you started the thread, was (as Mike suggested) inserting the storyteller at strategic points. My thought was perhaps the beginning and end of each chapter.
I can't help thinking about Peter Falk in The Princess Bride. Whenever I think Story teller, that's who I think of.
posted
ok... i'm thinking i'll put the narrator as a party who is seeing many of the events, knew about the events before they started happening, and feels that the story bears telling to all the ages of man.
it's mainly the first chapter that's going to be a problem... the first chapter is supposed to grab attention, but mine is sounding far too expository to me...
at first i thought i'd try to start off using the device, but i have a feeling i'm going to need to start with a first-person pov and switch later into the 'story-teller' device...
anyways, after i feel more comfortable, i'll post a little bit on the fragments board... i already posted something related to the story, that poem ^^
posted
"Rita Hayworth and Shawshank Redemption" was a masterful use of the storyteller device (if I understand what you mean by it). If you haven't read it, you might check that out.
Posts: 1528 | Registered: Dec 2003
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posted
Once character recounting a long, involved story to another character gives you a first-person story within a third-person (or yet another first person) story, like Ann Rice's Vampire chronicles. Each new vampire told huge chunks of their life stories to the narrating character.
Posts: 284 | Registered: Sep 2004
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posted
Ooh, the narrator already knows about the events before they happen, AND is taking part in the events? Now THERE is an interesting POV character, if you can pull it off! Can he change the course of the events, if so, why doesn't he? Etc.
Posts: 1041 | Registered: Aug 2004
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I think that it is far more important that the narrator partake of events than take part. That is to say, it is more important that the narrator be affected by the events of the story than that the events of the story be affected by the narrator.
Even though a character has a large impact on the plot, that character could still be largely oblivious to the real impact of the story. Conversely, even though another character might have very little power over events, that character might have a lot at stake. The narrator should be a character that cares about the story enough to tell it.
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