The reason I ask is because it seems like in my family- everyone's a good natural writer. Grandfather's a poet- uncle's a writer, and all my aunt's and stuff are just good writers who never refined their craft- but can pack an emotional punch (probably not with fiction- but with letters and stuff) and I know this also happens a lot of times- do you sometimes think that that's even possible?

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I don't think talent is generic,

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My mother's father was quite good at things mathematical, but he's the only close relative I might have inherited math talent from.

<shrug>

However, talent is just a starting point. Writing is a skill, and most of the skill one develops is due to work and practice rather than some predisposition. Someone with more inherent talent might learn faster, and arguably could reach a higher level of achievement given an equal amount of work, but I believe hard work will swamp talent levels at the end of the day.

Environment is also important because that is where I believe the desire to write comes from. I can't see someone with lots of writing talent who never spent time reading turning into much of a writer.

Right-brained, left-brained. Big brain, small brain. Neurotransmitter levels. Environment, genetics.

Every so often you hear about these kinds of things. A scientific explaination of creative talent -- the quest to know "Why".

I guess I believe in it to a degree. After enrolling in journalism, I discovered that one of my relatives (great-grandfather or great uncle or something) was a journalist around the turn of the century. Aside from that I know of no other authors on either side of the family. However, my mom's family are all very musical and my dad's family are a bit artistic (woodworking, photography, graphic design).

The word 'talent' smacks of value judgement from the start.

Your kids tend to notice what YOU value, even if you can't do it yourself, they see that YOU think it is important.

Therefore kids often excel at things their parent's value.
It takes a particular type of genius and self-confidence to recognise the patterns that exist within families, (which can be powerful for good OR evil), to choose the ones you wish to perpetuate and to disrupt those cycles you wish to end.

I don't believe that anyone is born without natural tendencies, but development of them is often dependent on what we are taught to value.

SHAWSHANK: In your family, clearly, writing was emphasised and there was a good deal of satisfcation/pride associated with it. There was also probably an emphasis on conversation/discussion and reading. Whether or not they REALLY were active conversationalists and readers is immaterial. The 'internal image' is set and is part of a cycle. This may be way off the mark but serves as an example.

In Henri Toulouse Lautrec's family there was a good deal of emphasis placed upon painting and drawing. But equally there was emphasis placed on horses, hunting and womanising. No one particularly excelled at any of them, not until circumstance intervened and Toulouse could not ride the horses, womanise or go hunting like his dad.

Painting became his focus and therefore his talent.

Many talents lay dormant, like a leaf bud half-way down the stem, waiting for the rest of the twig to snap off and give THEM a chance to grow.

As Kathleen said, it is focus and hard work that counts.

That is all.

A person may be full of natural flair but without focus and hard work it remains in its raw, natural state; wild and unproductive. The whole artististic temperament thing, where one has an unerring belief in their own artistic ability but not the productivity to match, is a tension that results in angsty self-torture.

The fact remains, we see what we look at. When we excel at something we tend to enjoy it. Another self-affirming cycle.

Choose your focus and you choose your talent.

2¢.

/end rant/

I do agree with hoptoad- about that among family members it's just based off preconcieved notions of what we're good at and what we value. It's all environmental.

I was also praised for developing my reading skills and was encouraged to write stories as well. Actually, I think my dad got tired of answering questions like. "Hey Dad, what do you think would happen if..." He normally would say something like, "I don't know, but it would make a good story. Why don't you go write it."

I think there's something to be said for natural talent, and just how you were raised, and what you're drawn to.

I was always a big sci-fi/comic book guy growing up which helped in the imagination department. I was read to a lot as a child (more than my sister actually) and read a lot once I was able to do so on my own. Also, I'm left handed, using the right side of my brain, so that's a benefit too.

It's a combonation of things.

Which is just to say, just because a trait does happen to be genetic, that doesn't mean you'll share it with everyone in your family.

Almost all writers are related to other writers. In fact, nearly all writers on this planet seem to belong to just one species (which is discouraging to me, but I'll...get over it ).

I think writing talent is inherited... but is probably only somewhat genetic. It's largely cultural in the scope of a family. Mainly, if your parents are basket cases you have an endless source of material. Or if they make you seek the refuge of the imaginary universes inside your head, that can also help.

I also realize that I can influence them, and nurture those talents I value, but in the end, they decide who they are and what they want to do with their lives.

My story is similar to Kathleen's. Neither of my parents can really sing. However, I started putting on productions in my parents' living room at the ripe old age of three. I had to beg and nag them to get singing teachers.

I have some children in whom I can recognize a propensity for music. But there's a few around here I'm still trying to understand. One daughter is crazy about learning to cook, but let's just say I'm not the best example to her...

Talent DOES exist in its rawest form. But environment CAN have a great influence, as well. To dismiss one or the other seems odd to me.

Why does society have the attitude that talent in the arts is basically all you need to succeed?

For example, In order to become a famous singer, actor, model, writer, etc., you either have it or you don't. You will either have your talent recognised and become famous, or you won't. But if you want to be a doctor, lawyer, teacher, techy, etc. you have to go to school and learn how.

I know that a lot of us who are here, are here to learn from each other so that we can succeed, but I think society still has the attitude that either you are born with it and will succeed, or you won't.

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At a cocktail party, a famous writer (possibly George Bernard Shaw) was told by a famous surgeon, "When I retire, I plan to write a novel." Said the author, "When I retire, I plan to operate on people."

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1. The Unhappy Childhood
The big joke in the publishing community is that smart editors shouldn't waste their time at lunches or conferences, but should instead proceed directly to the local elementary schools. There, they will carefully note the boys picked last in gym class, the girls sitting alone in the cafeteria - all of the outcasts, misfits, geeks, dweebs and weirdos - and give them some kind of small identifying tag (much like wildlife services will tag animals to follow their progress through the years). Twenty years later, the editors should track down the kids they've tagged, now hopefully grown to more successful adulthood, and say, "Okay, where's the book?" ...

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2. The Miserable Love Life
Again, a crucial ingredient for the formation of a novelist - romantic humiliation and heartbreak. The unhappy childhood gives you the tools of observation. Unrequited crushes, romantic despair, a few memorable break-ups, will give you something to write about, an understanding of grief. No prospect of heartbreak in sight? I can provide phone numbers upon request...

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http://www.jenniferweiner.com/forthewriters.htm

My point, I don’t think you can point ONLY to genetics. And while I’m not trying to refute modern scientific discoveries or research, it seems like EVERYTHING is being chalked up to genetics these days.

I think Steven King and J.K. Rowling clearly have talent.

I DO believe, however, that without the effort or work or desire, talent is worthless.

For instance, my mother read to me at such an early age that I could not have possibly understood her. However, I later grew up with a voracious thirst for reading (and, subsequently, writing). When she had my sister and brother, her hands were so full of dealing with us that she had far less time to read to them. They do not enjoy reading...at all. This says something to me, even though it is only one case. Then again, I have a grandfather (on my mother's side) who also likes to read. So there could be genetic residue at work also. Who really knows? Until we further unravel the mysteries of DNA we cannot be certain.

In my own case, there is no chance that I would have become a writer before the popularization of the personal computer with a keyboard interface. Why? Because it is physically difficult for me to communicate using handwriting. And that's purely a question of genetics (something like that can be caused by injury to the arms or nervous system, but in my case it's genetic).

Sure, that's a crude example, but it happens to be a factual one. When you get down to brass tacks, most of the specific factors that go into making up "writing talent" are strongly influenced by genetics. Environment/nurture can limit those factors, but it can improve them in only the most exceptional circumstances. To put it another way, I can devise external circumstances that will prevent any given person from ever becoming a writer/dancer/singer/whathaveyou, without fail. I cannot devise external circumstances that will make a person without the right genetics into a writer/dancer/singer/whathaveyou without basically resorting to magic.

Of course, the exceptional occurs quite often. Personal computers are exceptional, and allowed me to overcome one of several genetic barriers to my being a writer.