Science Fiction
Space Opera
Hard
Near Future
Alternate History
Cyberpunk

SCIENCE FICTION

hard sf = TIMESCAPE, THE FOUNTAINS OF PARADISE

soft sf = THE STARS MY DESTINATION, THE SPACE MERCHANTS

cyberpunk = NEUROMANCER (natch)

steampunk = THE DIGGING LEVIATHAN, THE DIFFERENCE ENGINE

military sf = STARSHIP TROOPERS, THE FOREVER WAR, WAR WORLDS

alternate world sf = WEST OF EDEN, THE MALACIA TAPESTRY, SS/GB

space opera = STAR WARS, PHOENIX IN FLIGHT, THE PRICE OF THE STARS

space fantasy = Darkover, "the Force," Pern, etc...

FANTASY

traditional fantasy = Tolkien

contemporary fantasy = WAR FOR THE OAKS, WIZARD OF THE PIGEONS

sword and sorcery = Conan, Fafhrd and Mouser

heroic fantasy is s&s with more nobility = Feist's Midkemia, Terry Brooks, etc.

dark fantasy (fantasy division) = heroic or contemporary fantasy with horrific elements, such as SOMETHING WICKED THIS WAY COMES, Angus Wells

space fantasy (fantasy division) = a fantasy plot placed in a space opera setting, such as Jack Vance

HORROR

supernatural horror is any horror with magic in it, like SALEM'S LOT

realistic horror is horror =without= magic in it = MISERY, THE SILENCE OF THE LAMBS, etc.

splatterpunk is horror with rock'n'roll sensibilities = John Skipp and Craig Spector, David Schow

dark fantasy (horror division) = horror with grand magical elements, like Lovecraft, Arthur Machen, etc. (though a case could be made that most Lovecraft is actually sf of a sort...)

occult horror = supernatural horror with orthodox occult elements, such as ROSEMARY'S BABY

gothic horror = FRANKENSTEIN, Walpole, DRACULA, Poe

LITERARY FICTION

literary fiction can encompass any of these forms, as long as the intent is to produce important, lasting prose, rather than, or as well as, ephemeral entertainment

ONE HUNDRED YEARS OF SOLITUDE and LITTLE, BIG are examples of both literary fantasy and magic realism

A CLOCKWORK ORANGE and BRAVE NEW WORLD are examples of literary sf

THE TURN OF THE SCREW and most of Kafka are examples of literary horror