If so, my answer is simple: I write something. Usually, when I write, I back up a paragraph to a page to get in the rhythm (or in character) and when I get to the white sea, I'm already on a tragectory--so to speak. But, if not, I write a sentence. One sentence always leads to two, and then a paragraph. I just keep in mind I may have to slice it out later, when I'm back on track.

Sometimes my plot stalls because while I know where I want to end, I don't know what comes next to get there. I am a writer who has to have the whole thing mentally mapped out before I can write well. When I ignore this rule, I usually write very well... until I get stuck. And I usually have to trash all the writing and start over.

Anyways, when I get stuck I usually move on to something else. A short story or whatever. But in the meantime I keep writing ideas down for my stuck-ness. I carry note cards around and have a file on my computer where I add random ideas. Its my idea bucket where I can go for specific aspects of a story, or when I need a new story to write.

I get up two hours before everyone else and write from five to seven. I have my coffee, my favorite chair, my notes open whether I need them or not, my shoes off, and my playlist going (never shuffled or I get bitchy). I check my email first, or I can't concentrate. The window has to be open or I get antsy. If I'm out of cigarettes, the entire neighborhood will know about it.

I used to take one day a week and run away to the library and write there for a few hours with my husband tending the kids. I need to do that again. It worked really well.

My writing process is constantly refining itself, but here'show I get my best productivity, to date:

• Pre-Write: Think about my characters, setting, problem. Find possible problems between the characters. Look for places I can add tension.
• Loosely Plot: Lay out the major events, and try to put them in order.
• Tighten Plot: Adding in smaller events/plot points. Here is where I plan the chapters, but I try to allow room for characters to change some of the threads of the plot.
• Write by Chapter: Start with the chapter outline and progress toward the chapter's end--Chapter-by-chapter until the first draft's finished.
• Let it Cool: I try to focus on a flash piece, short story, novella or pre-write on my next project.
• Editing Pass 1: Hunt typos and inconsistencies. Clarify sentences.
• Alpha Readers: I used to do this on the first draft only, but after the first Editing Pass the prose is much cleaner (not to say perfect). Once I get the critiques back, I read through them, and then let myself cool on them. (It generally take me a few days to let the wisdom sink in and the sting wear off.)
• Employ Critiques: Use what I believe is good advice--or what helps me achieve what I want to to get the scene across.
• Editing Pass 2: Repeat Editing Pass 1, plus look for weak dialogue.
• Editing Pass 3: Add needed scenes, cut unecessary characters, look for weaknesses in plotlines.
• Editing Pass 4: Sweep for typos and new inconsistencies.
• Abandon it to Submission.
  

I hope this helps.

MAP, I'm usually up until close to 2. I've got an infant that gets up around 1 for a feeding, so I guess I figure since I have to get up anyway, what the heck. And like you, I pay heavily for it the next day. It sucks. And I usually do dishes when I need to think. My son leaves me alone, my husband watches our baby (so he doesn't get roped into helping) and I get some (reletively) quiet time to myself.

Oh, the thinking? Well, that goes on all the time, in the back of my head, and sometimes moving to the front. It competes a lot with the other stuff I'm thinking about...like the music that runs through my head whether I'm playing any of it or not...or current or historical events or whatever I've read recently...or just about anything, really. It goes on while I'm doing the mundane things that take up the day. (In my fanfic days, once, on Halloween, I was washing out some shirts in the sink and had an idea come fully formed---for a Christmas story. I wrote it out then and there, once I finished with the shirts.)

I come with an idea---most likely, some SF-y scene, something that's happening, that's got people in it already, but sometimes just a simple idea, without characters. Sometimes that's enough to start writing, sometimes not. If not, I spend some time fitting things together and seeing what I can make of the story, if it's a story at all (sometimes I lose things at this point). Sometimes I'll write down the basic idea and leave it at that, sometimes returning to it years later.

I do spend some time as I'm trying to sleep running some ideas through my head...usually I fall asleep before they get too far along, and almost never do they pop up in my dreams. (Sometimes my dreams become the idea.) (Also, the stories I run through my head tend to be on the lurid side---I take that into account when I consider whether to write them down or not.)

Think of a novel as a large island. It has mountains and valleys - the mountains are the high points, key transitions, moments of reveal, etc. The valleys are the body of the story on which those peaks reside. Now imagine the Great Flood. Island completely covered in water. As the water recedes, slowly, the first thing to be revealed are the mountain-tops. And those tend to be what I write first. If I have an overview of my island novel, then I know what, and roughly where, those peaks need to be. So I write these sections, and they sometimes give me more information about what else needs to happen within the novel. Then, the water lowers a bit further. Some of the peaks expand. Other high ground appears, as well. Slowly, more and more of the island is revealed, and slowly the higher peaks may join together into larger sections of the island. Evenually, the water is back down to where it should be and the whole island/novel is there, ready to be inspected closely and landscaped (i.e. edited) where appropriate.

1) No desire to write on. Usually means I need to back up, find a place where I do want to write on, and throw away whatever work I've done past that point. I save it in a 'trash folder' until I'm sure I don't want it. It used to be hard to throw away days or weeks worth of work, but now, not so much. I know I can finish things. I would not recommend this unless you have proven to yourself you can finish your work.

2) Think my writing sucks. Read something boring and bad. When I find I'm more interested in continuing my own work than reading on, I usually can't wait to get to the keyboard. I could be delusional, but who cares? I'm writing.

3) Don't know what happens next, or feel like my characters are wandering around without direction. Consult my outline and see if it still fits. If it doesn't back up until it does, or, more likely, revise the outline. I'm still trying to discover the right level of outlining that makes me an efficient writer. I've tried no outline (doesn't work for me at novel length), scene-by-scene outline (doesn't work for me at any length), and many levels in between. I have to know roughly how the story ends, but other than that? I'm still experimenting. Right now I'm testing writing _a_ synopsis first, even if it ends up not being _the_ synopsis that I will use to sell the book.

I love the 'flooded island' method tchernabyelo described; I will have to try that. Usually I write in sequential order, beginning at the beginning. I _feel like_ I don't know my characters well enough when I start to be able to jump around in time, and I'd do more redrafting than I do now. Just because I feel that way though, doesn't mean it is true. I'll try it out to see if it will work for me.

4) More interested in posting on Hatrack than writing. Usually means I'm at an important part of the latest story, and afraid of screwing it up. No known solution except gutting it out and unplugging the Internet connection in 5...4...3...2...