posted
I'm curious if anyone here has gone the self-publishing route. I'm currently going through an organization called Outskirts Press. They seem to be great at doing independant runs. I'm just wondering what can be expected from the self-publishing route and what sort of experiences people have had.
Posts: 6 | Registered: Dec 2006
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posted
Oh, boy, long, sad story here. After submitting to many agents and publishers, decided to self-publish my first major book. First publisher went bankrupt. A company that had been in business many years and advertised in the "Writer's Digest," at the time I signed the contract was in trouble and I didn't know it until the money was sent off--a money order, so couldn't even stop payment on a check. The owners ran off with the money, no one ever recovered what they paid, and I had to pay a lawyer to basically go in and steal the color plates for the cover to have them to take to another printer and not have to pay another $600.00 or whatever it was to remake them.
The deal with the second printer ended up dragging on, I paid more than originally anticipated, and was threatened with legal action by some snotwad who had preordered based on the original anticipated publication date. Meanwhile, I'd advertised books based on the price I thought I was originally going to pay to produce them, so had to honor that price, lost money bigtime, and ended up in debt. Printed again with a more reputable company, but never made much. Back then had to advertise by mail and those costs ate up a lot of my profits. If you find some way of advertising and selling online without putting in the sort of money I did for paper, ink, envelopes, postage, etc., then maybe.
By the way, back when I self-published twenty years ago, you had to order a "print run" and the more copies you ordered the less the cost per copy. Now there's a thing called "Print on Demand." Not sure of the quality of the products and how they vary from company to company, but they don't print until there's an order, orders can be one at a time, and I think the books are bound like regular books.
The ONLY good things about self-publishing were:
1. I had complete control over the look and contents of the book, didn't have some editor snipping it up and some publisher cutting corners on quality.
2. Was able to get it into readers' hands and get their positive reactions right away, thus avoiding having to shoot myself for being a crummy author for being rejected by every agent and publisher around.
3. The experience gave me some insight as to what publishers are up against and made me less critical of them for rejecting books which should certainly be good enough to publish.
So I'm not saying absolutely don't do it. Hope you have a good experience.
posted
If I ever self-publish, it'll be self-publishing. That's the beauty of a laser printer and a comb binder.
Posts: 366 | Registered: Sep 2006
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posted
I've never tried it, frankly, I'll never do it. I'd rather go the proper send out to a publisher route. Too many quarrels with self-publishing, I feel. Plus I don't have any money to invest in such an adventure.
Posts: 384 | Registered: Oct 2005
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The quality of Print-on-Demand product is excellent. You just don't get to choose from all sorts of fancy things like colored endpapers and spot-varnished dust jackets. I've been very happy with the books I've done for Nyx through Lulu and Lightning Source.
You get out of self-publishing what you put into it. Your book won't magically show up on the shelf at Barnes & Noble, and you won't start getting invited to all sorts of conventions. It's tough work -- all the publicity and sales and everything else you can think of begins and ends with you. If you don't know how to do a cover or text layout, you're going to need to have someone who does take care of that for you.
Don't sugarcoat it at all -- you will have a book, but no one will know about it until you tell them. And there's still the stigma people have of "oh, he's published by Lulu. That means he wasn't good enough to be picked up by a *real* publisher."
I can't tell you how many conventions I've been to where self- and e-published authors tout the wonders of "never having to worry about pesky editors or agents" and how "you're going to have to do all the marketing yourself anyway, so why bother stressing yourself out?"
True -- trying to break into publishing is VERY stressful. If you can't handle that much insanity, it's not for you. But likewise, don't sell yourself short. I believe that everyone has the potential to be whatever they want to be; all the have to do is decide and do it.
posted
A friend of mine is publishing her first novel through iUniverse. She's been very happy with them so far. They provided editorial help and they are with Ingrams, which means Barnes & Noble should carry her book (self-published folks need to be aware that most chains won't carry books not distributed through Ingrams or one other distributor whose name escapes me at the moment, sorry).
I self-published a "how to" book on sculpting, which I knew would have a small niche market. I found a digital publishing company here in my local city (Dayton OH - I used PDI and was very happy with them). I have a glossy cover with a color photo and color font, a glossy back cover, a tear-out order form in the back, a color title page and the rest is B&W with loads of photos. It's comb-bound, which is what I wanted so the book would lie flat when people are trying to follow the directions in it. I can wholesale it for $15 and make a good profit, and I retail it for $30 - and it sells very well. I'm nearly out of my first print run. The largest sculpture supply house in the country sells it in their store and catalog, and I sell it on my Website and through my booths at art shows and equine trade fairs (which is how I market my bronzes). Self-publishing is difficult in some ways, but you get out of it what you put in it. I didn't expect B&N to carry my sculpting book, so I didn't worry about "distributors" beyond this big sculpture supply house. I'm satisfied with how this venture has gone, and will do a second printing the same way. But for my novels, if I self-publish, it will be with a company that uses Ingrams as their distributor so the book will have a chance at being sold through the big chains.
I could be mistaken in some of the info on iUniverse because I haven't dealt with them, but my friend is very happy with them so far. Good luck!
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I am considering doing this with a self-help book, on the theory that a) it isn't my career and b) it would be interesting to try the self-marketing associated -- that is, have a web site and forum for it and see if people take an interest. I don't see myself schlepping that book from agent to agent or publisher to publisher -- for me, it wouldn't be a career-growing move. I think.
Posts: 2830 | Registered: Dec 2004
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posted
Interested in doing self-publishing? The key word here is "self." Writing and editing is up to you. Marketing is up to you. Sales is up to you. Followup is up to you. Any facet of moving your book to market must be done by YOU. If you are the sort of person who wouldn't be intimidated by building your own house, then maybe self-publishing is the route for you.
Do your research before committing any money to the project. You MUST get a copy of the book “The Self-Publishing Manual” by Dan Poynter. It's considered the bible of advice for this industry.
Join the Self-Publishing forum sponsored by SPAN and Marilyn and Tom Ross at Yahoogroups.com. These folk are serious about self-publishing and you can learn a lot from their experiences. Be prepared for a huge volume of emails, however... it's a big list and it's very active.
Do your research into the physical requirements of your book. Booksellers and distributors won't even consider your book without the ISBN number and EAN bar code because they use scanners to manage inventory, re-order, and to track sales. In the USA the ONLY legitimate agent to use to purchase an ISBN is R.R. Bowker. If you buy your ISBN through any other resource, you'll find THAT company "carries" your book as part of THEIR catalog, not your own.
Books with a library market should also acquire a Library of Congress number and a CIP (Catalog In Publication) data block. The CIP gives librarians the information they need to add a book to their database or card catalog.
Don't be shy about asking people for advice. I once invited Michael Powell, the owner of www.Powells.com out for lunch, and he kindly accepted. I spent the time picking his brain about HIS perspective on self-published books. He told me the most valuable resource on your book is the spine. Most bookstores don't have the real-estate space available to display books, cover forward. Your spine, and your title, are gold. Consider the spine the "first 13" of your cover design... it's going to make people reach for the title or pass it by.
Self-publishing is not a part-time thing. It must be treated like a full time job if you expect to be successful. Is it for you? I can't answer that. But if you self-publish, you will join the ranks of Walt Whitman, Mark Twain, and those "Chicken Soup for the Soul" guys, Mark Victor Hansen and Jack Canfield.
posted
Just FYI -- B&N doesn't carry every book listed in the Ingram (the other wholesaler is Baker & Taylor) system. They don't carry every book by major publishers either. If it doesn't get presented by a publisher, there is very little chance they will be carrying it.
Publisher reps sell their books to B&N just like they sell to Ingram. Those publishers can also pay to insure that their books are placed in certain areas in the store. If a book is on the front table at B&N, it's because a publisher paid for it to be there.
You too can put your book on the front table at B&N, if you are very rich and plan on printing at least 50,000 books for your first print run. But I wouldn't go mortgaging your house off just yet.
A B&N buyer's opinion can make or break a book. An Ingram buyer doesn't have quite that much power.
Every book that is published by Lightning Source is listed in the Ingram system. Also, if you have an ISBN (they can be purchased from Bowker--the smallest package you can get is 10 for about $250), you will get automatically listed on Amazon.
[This message has been edited by Alethea Kontis (edited December 15, 2006).]
posted
I have to be honest -- I would probably not buy a self-puboished book unless it was for a specific niche market that I was a part of. (For example, my family cookbook) I know it's hard to get published, but it is my feeling that if no publisher will take your first book, the answer is to learn and grow and write a second and third and fourth book until you can sell it.
Posts: 3567 | Registered: May 2003
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It's been important to my ego to get my work published in the traditional way first---y'know, send something to somebody, have them pay for it, see my name in print in the magazine or the book. (This rules out online publishers, to an extent, but I'm not closing the door on it.)
I might try self-publishing someday, after something traditional happens---but I'm just not interested in doing it before.
(By "my work" I should specify "original fiction." In the past, I've spread around a good deal of Internet Fan Fiction and won't rule out doing so again (persistent ideas keep creeping up on me, and I'm still tempted to write up some of them). And there's a non-fiction work that I occasionally think about doing, that I might self-publish first and then try to get a major publisher interested in. Didn't something like that work for the writer of Eragon?)
posted
Robert -- you do force an exception to what I just posted. An established author whose work I already respected could sell me a self-published book.
Posts: 3567 | Registered: May 2003
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posted
A lot of webcomics go the self-publishing route after they build up an audience online. Indeed, given that they are already giving away much of the material that will be in the books online, they would have a lot of trouble working a traditional publishing deal (there are several good non-traditional publishers for comics, though).
Before you go the self-publishing route, you need to be absolutely certain that you have realistic ideas about the potential demand for your book. Graphical artists have a big advantage in this, they can go to a convention armed with a sketchpad and count how many people are willing to fork over $5-$100 dollars for an original sketch. They can start small by selling self-published high-quality posters or lithographs.
Giant names also have it much easier. They have several experiences with the market, the publishing industry (albeit at a slight remove), and a large audience waiting for their work, whoever publishes it.
People who are publishing something for a very small audience, such as Orthodox Jews dealing with congenital hermaphroditism, also have a big advantage, since they probably already know most of the people in their market.
Non-famous writers appealing to the general market are at a terrible disadvantage.
posted
I think the writer of Eragon has better connections than I do...something about parents working or having worked in the publishing industry...but I think we've hashed that out in a few other threads. (I've never read it...I may someday.)
Posts: 8809 | Registered: Aug 2005
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posted
i've got two books available through cafepress - "seeing her naked" (http://www.cafepress.com/cp/store.aspx?s=seeinghernaked) and "clubhouse blues" (http://www.cafepress.com/cp/store.aspx?s=clubhouseblues). didn't take much work on my part (aside from the writing and editing i was doing anyway, and some cover design), and costs me nothing--digital press means they print individual copies of each book when they are ordered. i have to do any promotion myself, but for now at least i've got something available
note: i haven't purchased ISBNs for the books cause i just couldn't afford it... yet. once i've got ISBNs, i could submit the books to actual booksellers, amazon and whatnot.
[This message has been edited by januson (edited December 16, 2006).]
posted
His parents fronted the money, putting their home on the line, and he went out and schlepped the book to schoolkids with the permission of a good few school librarians. He happened to get very lucky when the young relative of an established author bought one. He also happened to be very lucky that his parents' estimation of the book's potential was actually dead on, the established author was impressed and told his publisher to pick up the rights.
I think that he could have had a much easier time of it by writing a few good short stories and becoming somewhat known to a good Fantasy editor or two, then leveraging that connection to get past the poor slushkillers who weren't passing along his manuscript. Short stories are a very important way to break into the industry for a number of reasons, not least the fact that novels are composed of scenes, and those scenes have to observe internal dramatic economy or the overall novel won't be much good. It's also a much lower risk way of getting editors to look at your work seriously than mortgaging your home. And it helps build up an audience in your targeted genre.