Sounds like good advice. They know you can write in the vein that they are interested in. I would imagine that a well-thought-out pitch (i.e. concept and basic plot for a novel) would be more attractive to them than a novel (or part of a novel) that doesn't fit in with the market they're trying to capture.
I'd spend more time coming up with a really great pitch than trying to hurry more blurbable passages into production.
Posts: 3423 | Registered: Aug 2001
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Keep working at that pitch. This is extremely promising and I'm very happy for you.
When you're rich and well published and famous, will you blurb for my upcoming novels (assuming I ever finish one?)
Posts: 14428 | Registered: Aug 2001
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Rejection from Realms of Fantasy for 'Out of the Deep Have I Howled Unto Thee.' Also the advice to shorten it up a bit...
Posts: 14554 | Registered: Dec 1999
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If IGMS doesn't take it, Popcorn Popping will. I would love to publish another Mormon-tinged work of speculative fiction. Most of what we have now is poetry, personal essay and realism fiction [that's my term for non-genre short fiction that attempts to locate it's time, place and characters in the stream of 'real' history].
Posts: 3423 | Registered: Aug 2001
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In an effort to avoid writing a novel, I've made business cards.
I'm planning on going to Trinoc*Con in Raleigh on the 21-23 of this month; it's my first con, having skipped out on Balticon for the past...ermm...lots of years. I want to be able to say, "Well, I don't have a novel for sale, but look at these nifty business cards! I used Photoshop."
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I read the first page of both Eragon and The Da Vinci Code and found them both unreadable, but Eragorn moreso. I'm surprised you found Da Vinci Code worse.
Having read both of them, I'm sure you have a better handle on it than I do, I just found it interesting.
Posts: 4655 | Registered: Jan 2002
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It IS interesting. I was expecting to like DaVinci Code more. Alas-- both authors failed for me, but Brown moreso.
Posts: 14554 | Registered: Dec 1999
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I am giving a go at my own webcomic. I've got the characters and plot mostly developed, and am looking for an outstanding artist (or artists) to share the project with me.
Here is the plot write-up for the first chapter in the series. There's about seven pages of documentation behind this-- if you're interested in this project, email me at j b e e k e e p e r (at) ya hoo (dot) com, and I'll send you what I've developed.
quote:BRIEF PLOT OUTLINE
I. HOMES AND OTHER EXTREMELY DANGEROUS PLACES
CHAPTER 1: LOOK HOMEWARD, ANGELA: The ship and crew are introduced as they fly back to Earth to fulfill the Yancy Darrow’s obligation to pick up one more shipment of colonists. Angela’s mother calls her and tells her that her father and her have some important news; nervous of meeting her parents again, Angela brings Jonah along. Angela discovers that her parents are expecting their fifth child. She is mortified, but receives another shock when she learns that they are joining the crew of the Yancy Darrow, as émigrés. Not only her parents, but her two younger brothers, Emmanuel and Ephraim will be joining.
CHAPTER 2: BOYS WILL BE BOYS: As the Yancy Darrow prepares for departure, the scientists the crew will be transporting arrive. Angela’s family is already on board, driving Angela insane. To make matters worse, her brother, Ephraim, and Jonah have been spending time together. Their friendship has unexpected and dangerous results on the Shipmate, as he begins to regress to a childlike mental state.
CHAPTER 3: THE ANATOMY OF MELANCHOLY: After launch, four of the scientists hijack the ship, wounding Captain Harris and taking January Karl hostage. As Angela and Jonah work to appease, stop, or kill them, Jonah’s sim begins to suffer delusions, mood swings and blackouts.
CHAPTER 4: JIGGETY-JOG: The scientists steal Jonah’s brain and his Sim, and force Brett to shuttle them to their colony. The crew of the Yancy Darrow must rescue him before they can implant him in their base.
Here is my write-up of the first strip:
quote:GREPPERS #1
OPENS ON THE YANCY DARROW FLOATING IN SPACE. IN THE BACKGROUND IS THE HORSEHEAD NEBULA AND THE CAS SPACE STATION.
ZOOM TO SHOW ANGELA WATCHING THE YANCY DARROW APPROACH THE SPACE STATION. HER MOUTH IS SLIGHTLY OPEN. SHE IS HOLDING A DUFFEL BAG, AND IS WEARING A LOOSELY FITTING JUMPSUIT. A PAIR OF GOGGLES DANGLE AROUND HER NECK. THERE IS A SMUDGE OF GREASE BELOW HER RIGHT EYE.
THE YANCY DARROW DOCKS; ANGELA MOVES UP TO THE AIRLOCK AND WATCHES THE CREW EXIT. NO ONE SEEMS TO NOTICE HER. WHEN THEY’VE ALL COME THROUGH, ANGELA ENTERS.
ANGELA (thinking): The Yancy Darrow. Advanced exploration and surveying vessel. Hull length one-quarter mile. Width, one-hundred yards.
SHE SEES A SIGN LABELLED “BRIDGE” WITH AN ARROW POINTING DOWN THE HALL. THE WORDS “ENGINE ROOM” ARE DIRECTLY BENEATH IT.
ANGELA (thinking): Four primary launch engines, CAS Dion 1660s, six maneuvering thrusters, Bolshevik Hardies, 880s.
SHE WALKS ON, IN THE DIRECTION OF THE BRIDGE. SHE PASSES A SIGN POINTING THE WAY TO THE SERVER ROOM.
ANGELA (thinking): Operating system… probably Gator. Or Jingo.
SHE SEES A SIGN BENEATH THE SERVER ROOM SIGN, HAND-WRITTEN. IT SAYS, ‘GREP JAN FOR A GOODE THYME.’
ANGELA (thinking): Definitely Jingo.
CONTINUES WALKING. THERES A SIGN POINTING THE WAY TO THE BRIDGE AND THE HEAD; THERE ARE ALSO SIGNS FOR CREW QUARTERS, REC ROOMS, CARGO HOLDS… SHE HAS COME TO THE CENTER OF THE SHIP.
ANGELA (thinking): Daven lifesupport systems, Trell air circulation, Strafer torpedoes… the best. Everything is just like Mrs. Robbards said. Fully equipped, fully refitted…
SHE PASSES A DOOR WITH A MALE/FEMALE SIGN ON IT—OBVIOUSLY THE BATHROOM.
VOICE: Toilet paper! We're out of toilet paper AGAIN!
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I read Eviction Notice, and it was Brilliant. Is it at all possible for me to get on the list of people you send drafts out to for critiques?
Posts: 1138 | Registered: Nov 2005
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I've finished the script for the first 20 episodes of 'Shipmates' or 'Greppers' or 'Yancy Darrow' or whatever the heck I'm going to wind up calling this strip.
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Me. Actively. But I realize that my track record for actually providing feedback is...spotty.
Posts: 16059 | Registered: Aug 2000
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Aaaand...received. Thanks! I'll start in on it today if work permits, or tonight if it doesn't.
Posts: 16059 | Registered: Aug 2000
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I just posted a series of serious posts on my blog.
I'm kind of disappointed in the last one. When Blackberry Witch came out, a lot of our friends (non-genre types) read it and approached my wife with the following statement, "I had no idea Scott was so...weird."
It bugged me more than it should have. It bugged me enough that I didn't really market the sale of Eviction Notice to our friends the way I did Blackberry Witch.
The question of Evil in Fiction still bothers me; it's the biggest quandry I have when writing. How dark do I go?